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{"id":29361,"date":"2023-11-05T13:03:56","date_gmt":"2023-11-05T11:03:56","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=29361"},"modified":"2023-11-09T18:14:10","modified_gmt":"2023-11-09T16:14:10","slug":"mohamed-al-mufti-architect-and-painter-of-our-time","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/mohamed-al-mufti-architect-and-painter-of-our-time\/","title":{"rendered":"Mohamed Al Mufti, Architect and Painter of Our Time"},"content":{"rendered":"<h5>Syrian architect Mohamed Mufti held his first exhibition in France in 2003. Soon after, his work was featured in galleries and museums in France, Italy, Finland, Turkey, Lebanon, Syria and the United Arab Emirates. His work depicts themes and reflections on Damascus and Beirut\u2019s political and social scene. He is currently living in Lebanon.<\/h5>\n<p>&nbsp;<\/p>\n<h4>Nicole Hamouche<\/h4>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">With only his paintbrush and T square,<\/span> <span style=\"font-weight: 400;\">Syrian architect and artist <\/span><span style=\"font-weight: 400;\">Mohamed Al Mufti <\/span><span style=\"font-weight: 400;\">settled in Lebanon in 2012, a year after the outbreak of war in Syria and the disillusionment that followed the first stirrings of a revolution aborted in blood. At the time, Beirut was not yet marred by violence and deprivation, and being in exile sometimes allows for talent to explode, forcing one to look within oneself for resources. After a few difficult years in Lebanon, during which he concentrated on teaching and his art, the prolific artist&#8217;s career took off. He exhibited in Beirut and Paris and contributed to numerous group shows in Europe. He has a lot to say and to remember, because everything in 20th and 21st-century Syria and Lebanon <\/span><span style=\"font-weight: 400;\">is <\/span><span style=\"font-weight: 400;\">left to either fade away or rot. Pre-occupied with memory gaps means that collective memory, its symbols, and their reinterpretation are at the heart of his exploration; for he believes that he who has no memory has no future.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is why the artist, as he merged into Lebanese society, was keen to recall his Syrian memories, which in medical terms is labeled as \u201cAnamn\u00e8se\u201d \u2014 memory recall \u2014 the title he gave to his 2020 exhibition at Europia gallery in Paris, founded by Syrian couple, Nada Karami and Khaldoun Zreik. <\/span><i><span style=\"font-weight: 400;\">Anamn\u00e8se<\/span><\/i><span style=\"font-weight: 400;\"> retraced a number of symbols of Syrian collective memory, where the exhibits speak for themselves, such as the <\/span><i><span style=\"font-weight: 400;\">Hob Hob, <\/span><\/i><span style=\"font-weight: 400;\">the public bus; the Baathist schools; <\/span><i><span style=\"font-weight: 400;\">Reign of Six<\/span><\/i><span style=\"font-weight: 400;\">, which represents the Yalbougha complex, a symbol of modernism, said to have been the tallest building in Damascus, the construction of which began in the 1970s but was never completed, reflecting the \u201cstasis\u201d in which Damascus, once the gateway to the Orient, stagnates.\u00a0<\/span><\/p>\n<div class=\"gallery\"><div id=\"gallery-23\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"\" alt=\"\"\/><\/a><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100.jpg\" alt=\"Mohamed Al Mufti, \"La vie mode d'emploi,\" oil on canvas, 150x120cm, 2020.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"La vie mode d'emploi,\" oil on canvas, 150x120cm, 2020.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130.jpg\" alt=\"Mohamed Al Mufti, \"Hob Hob,\" oil on canvas, 130x130cm, 2018.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Hob Hob,\" oil on canvas, 130x130cm, 2018.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100.jpg\" alt=\"Mohamed Al Mufti, \"Lebanese university,\" acrylic on canvas, 100x100cm, 2019.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Lebanese university,\" acrylic on canvas, 100x100cm, 2019.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100.jpg\" alt=\"Mohamed Al Mufti, \"Hijab of the City,\" acrylic on canvas, 100x100cm, 2019.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Hijab of the City,\" acrylic on canvas, 100x100cm, 2019.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115.jpg\" alt=\"Mohamed Al Mufti, \"Lib\u00e9ration,\" oil on canvas, 195x115cm, 2012.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Lib\u00e9ration,\" oil on canvas, 195x115cm, 2012.<\/p><\/div><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-23\"><span class=\"gallery-item\"><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LA-VIE-MODE-DEMPLOI-2020-OIL-ON-CANVAS-150X100-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:66.64%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-768x769.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-600x601.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/HOB-HOB-2018-OIL-ON-CANVAS-130X130.jpg 1000w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100.1%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-1024x1024.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-768x768.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-1320x1320.jpg 1320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LEBANESE-UNIVERSITY-2019-ACRYLIC-ON-CANVAS-100X100.jpg 1400w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-768x768.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Hijab-of-the-city.-Acrylic-on-Canvas.-2019.-100X100.jpg 1000w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/LIBERATION-2012-OIL-ON-CANVAS-195-X-115-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:57.79%;max-width:1400px;\" \/><\/span><\/div><\/div>\n<p><span style=\"font-weight: 400;\">The &#8220;stasis&#8221; or stagnation has reached Beirut, the artist&#8217;s city of choice. The combats are scrawled on the city walls in Syria and Lebanon, through\u00a0 graffiti as &#8220;a reminder that the spark of rebellion comes from the people,&#8221; as Al Mufti puts it. Thus, the Syrian revolution would be the subject of a solo show in Beirut in 2013, <\/span><i><span style=\"font-weight: 400;\">Perspectives of a Revolution in Progress<\/span><\/i><span style=\"font-weight: 400;\">, at Joanna Seikaly Art Gallery. By showing a Syrian prison cell imagined according to the stories told to him by a former Syrian friend who was imprisoned, he revealed the state of abandonment that characterizes both cities, and what this carries with it of \u201cviolence, social collapse and separation between social classes.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After the Syrian revolution, Al Mufti lived through the Lebanese revolution of October 2019, which also went up in smoke, as did the Lebanese capital devastated by the explosion of August 4, 2020, of which the main thing that will remain are ramshackle, dilapidated fa\u00e7ades. These were already showing signs of wear and tear before the explosion, and bore the traces of the dreams and revolts that were stirring in the hearts of the Lebanese people. The same is true of the buildings in Syria, which tell a thousand stories. The urban landscape is eloquent, it accompanies the history of a country; the artist-architect knows how to decipher it and make it speak. By dwelling on it, he aims to be the relay of a time and the custodian of a memory that tends to be quickly erased in the contemporary Arab world. This led to the exhibition <\/span><i><span style=\"font-weight: 400;\">And Then Stillness<\/span><\/i><span style=\"font-weight: 400;\">, at Gallery 392 Rmeil 393 in 2020, which was also intended as a visual archive of Beirut since the October Revolution, through the crisis, the social and political collapse. By &#8220;s<\/span><span style=\"font-weight: 400;\">tillness<\/span><i><span style=\"font-weight: 400;\">,&#8221; <\/span><\/i><span style=\"font-weight: 400;\">the artist meant stagnation rather than serenity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In such circumstances, it was no longer possible for Al Mufti to limit his art to the pure aesthetic exploration of cubism and abstraction, as he had done when living in France. It was no longer possible to turn a blind eye, as does Beirut; this inspired his painting \u201cHijab in the City.\u201d What he calls \u201cthe Lebanese varnish\u201d captures him; he also observes it in the facades of buildings: &#8220;There&#8217;s something very conservative despite the extravagance in our societies.&#8221; Through his art, he seeks to reveal the secret &#8220;skin&#8221; of Damascene and Beiruti buildings. He uses the word &#8220;skin&#8221; to refer to facades and walls, which he made speak in an exhibition entitled <\/span><i><span style=\"font-weight: 400;\">Urban Scape<\/span><\/i><span style=\"font-weight: 400;\"> at Villa Paradiso in Beirut in 2017. Places speak for men.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mohamed Al Mufti expresses the need &#8220;to document the environment both politically and sociologically.&#8221; He participates in the life of the city at all levels: painting, teaching and building. For him, the three practices are not only linked, but he also affirms that he needs all three. His teaching is very important to him: a graduate of the \u00c9cole Nationale Sup\u00e9rieure d&#8217;Architecture de Versailles, he taught there for a short while before moving to a Parisian architecture school, followed by a return to Syria in 2008, where he also taught. He now teaches<\/span>\u00a0<span style=\"font-weight: 400;\">at the Acad\u00e9mie Libanaise des Beaux-Arts in Lebanon, where he lives. The architect &#8220;insists on this balancing between academia and practice, which feed off each other,&#8221; including his artistic practice; &#8220;art allows me to try and evacuate and experiment things,&#8221; he says.<\/span><\/p>\n<div class=\"gallery\"><div id=\"gallery-31\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-MAIN-VIEW.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-MAIN-VIEW.jpg\" alt=\"Mosque-church main view, Mohamed Al Mufti.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mosque-church main view, Mohamed Al Mufti.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW.jpg\" alt=\"Mosque-church night view, Mohamed Al Mufti\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mosque-church night view, Mohamed Al Mufti<\/p><\/div><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-31\"><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-MAIN-VIEW-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-MAIN-VIEW-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-MAIN-VIEW-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:36.9%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Mosque-church-in-Syria-NIGHT-VIEW-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:55.2%;max-width:1000px;\" \/><\/span><\/div><\/div>\n<p><span style=\"font-weight: 400;\">Buildings with a cultural or educational vocation are those that stimulate him in particular, as well as projects with a social dimension. In Syria, he built four public schools. In his native country, where he settled after 15 years in Paris, he was also <\/span><span style=\"font-weight: 400;\">invited <\/span><span style=\"font-weight: 400;\">to compete in a project for a mosque in Yaafour, led by Eamar,<\/span> <span style=\"font-weight: 400;\">the famous Emirati public works company. He took the liberty of proposing a project in line with his vision of the world, which is not exactly that of the client: instead of a large mosque, he designed a multi-faith theology center that included a church alongside the mosque, as well as a theology library. The architect points out that he had to delve into the Quran and the Bible to find suras and verses that mention Jesus and Mary, which were incorporated into the project that was obviously not selected. In \u201cthe Syria of tomorrow,\u201d<\/span> <span style=\"font-weight: 400;\">Mohamed Al Mufti says he has \u201cimagined buildings that bring people together, not<\/span> <span style=\"font-weight: 400;\">that<\/span> <span style=\"font-weight: 400;\">separate them.\u201d Eamar withdrew with the war and the project was abandoned. For the same reasons, many ongoing projects were interrupted, such as Beit Farhi, a Jewish palace the architect had been <\/span><span style=\"font-weight: 400;\">commissioned to rehabilitate<\/span><span style=\"font-weight: 400;\">. For this endeavor, he had sought the help of historians and wanted to trace the actual footprint of the buildings. He had to say farewell to all this, and pack his bags once again, just as he did in the &#8217;90s because of the Gulf War, fleeing Kuwait, where he had grown up, to Syria. In 1994, he left again to pursue his architecture studies in France. This was where he met two of his teachers and mentors whom he highly admires: Jacques Ripault and Michel R\u00e9mon, with whom he collaborated. He also founded his own firm, Atelier Mufti Architecture.<\/span><\/p>\n<div class=\"gallery\"><div id=\"gallery-44\" class=\"gallery-frame\"><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130.jpg\" alt=\"Mohamed Al Mufti, \"Reign on the Sixth,\" oil on canvas, 130x130cm, 2019 (all images courtesy of the artist).\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Reign on the Sixth,\" oil on canvas, 130x130cm, 2019 (all images courtesy of the artist).<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100.jpg\" alt=\"Mohamed Al Mufti, \"When the Russians Came In,\" acrylic on canvas, 150x100cm, 2015.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"When the Russians Came In,\" acrylic on canvas, 150x100cm, 2015.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100.jpg\" alt=\"Mohamed Al Mufti, \"Ruine et Abandon,\" collage on canvas, 100x100cm, 2021.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Ruine et Abandon,\" collage on canvas, 100x100cm, 2021.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120.jpg\" alt=\"Mohamed Al Mufti, \"Syrian Woman in Revolutionary Times,\" oil on canvas, 120x120cm, 2012.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Syrian Woman in Revolutionary Times,\" oil on canvas, 120x120cm, 2012.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150.jpg\" alt=\"Mohamed Al Mufti, \"System Crash,\" oil on canvas, 150x150cm, 2019.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"System Crash,\" oil on canvas, 150x150cm, 2019.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150.jpg\" alt=\"Mohamed Al Mufti, \"The Parliament,\" acrylic on canvas, 150x150cm, 2019.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"The Parliament,\" acrylic on canvas, 150x150cm, 2019.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80.jpg\" alt=\"Mohamed Al Mufti, \"Wall Talks,\" oil on canvas, 120x180cm, 2012.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Wall Talks,\" oil on canvas, 120x180cm, 2012.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120.jpg\" alt=\"Mohamed Al Mufti, \"Wall Talks,\" acrylic on canvas, 180x120cm, 2016.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Wall Talks,\" acrylic on canvas, 180x120cm, 2016.<\/p><\/div><\/div><\/div><div class=\"gallery-frame-single\"><div class=\"gallery-frame-single-wrapper\"><a href=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115.jpg\" class=\"gallery-img-link\"><img decoding=\"async\" class=\"gallery-img\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115.jpg\" alt=\"Mohamed Al Mufti, \"Wall Talks,\" oil on canvas, 185x115cm, 2019.\"\/><\/a><div class=\"gallery-frame-caption\"><p>Mohamed Al Mufti, \"Wall Talks,\" oil on canvas, 185x115cm, 2019.<\/p><\/div><\/div><\/div><\/div><div class=\"gallery-nav gallery-nav-44\"><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-1022x1024.jpg 1022w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-768x770.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-1320x1323.jpg 1320w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-600x601.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/Reign-on-the-Sixth-2019-Oil-on-canvas-130-x-130.jpg 1400w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100.21%;max-width:1400px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WHEN-THE-RUSSIANS-CAME-IN-2015-ACRYLIC-ON-CANVAS-150X100-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:151.4%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/RUINE-ET-ABANDON-2021-COLLAGE-SUR-TOILE-100X100.jpg 739w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100%;max-width:739px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-298x300.jpg 298w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-768x774.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-600x605.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYRIAN-WOMAN-IN-REVOLUTIONARY-TIMES-2012-OIL-ON-CANVAS-120X120.jpg 1000w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100.8%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-768x775.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-600x605.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/SYSTEM-CRASH-2019-OIL-ON-CANVAS-150X150.jpg 1000w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100.9%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-768x768.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-600x600.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/THE-PARLIAMENT-2019-ACRYLIC-ON-CANVAS-150X150.jpg 1000w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:100%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2012-OIL-ON-CANVAS-120X80-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:67.6%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2016-ACRYLIC-ON-WOOD-.-180X120-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:65.5%;max-width:1000px;\" \/><\/span><span class=\"gallery-item\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115-150x150.jpg\" class=\"gallery-thumb\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/11\/WALL-TALKS-2019-OIL-ON-CANVAS-185X115-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" style=\"width:100%;height:63.1%;max-width:1000px;\" \/><\/span><\/div><\/div>\n<p><span style=\"font-weight: 400;\">He works on diverse projects including social housing and educational buildings, and notably the law faculty in Alen\u00e7on, Normandy with the commissioned architect Philippe Challes, his friend and colleague. He also participates in international competitions such as Novi <\/span><span style=\"font-weight: 400;\">BEOGRAD<\/span><span style=\"font-weight: 400;\">, the extension of Belgrade with Milan Simovic. But the architect explains that, \u201cthe changes in public procurement codes in France made it difficult for small and medium size architecture agencies to survive.\u201d Hence,<\/span> <span style=\"font-weight: 400;\">he chose to return to Damascus. In 2017, he took part in the Sketch for Syria Initiative at the Venice Biennale of Architecture, alongside prominent<\/span> <span style=\"font-weight: 400;\">architects (among them Alvaro Siza), who each drew his or her own Syria. &#8220;One day I&#8217;ll go back to Syria,&#8221; says the man who is currently designing and building his own house in the Lebanese mountains, and who is planning a future art exhibition on the theme of aging. Will the wrinkles have already set in by the time he returns to Syria?<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicole Hamouche visits artist and architect at his Beirut studio, whose work reflects on Damascus&#8217; and Beirut\u2019s political and social scene.<\/p>\n","protected":false},"author":478,"featured_media":29483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[3,14,3147],"tags":[323,479,769,1007,1032,1642],"coauthors":[3145],"class_list":["post-29361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-featured-artist","category-tmr-36-architecture","tag-beirut","tag-damascus","tag-gulf-war","tag-kuwait","tag-lebanon","tag-syrian-artists","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Mohamed Al Mufti, Architect and Painter of Our Time - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Nicole Hamouche visits artist and architect at his Beirut studio, whose work reflects on Damascus&#039; and Beirut\u2019s political and social scene.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/mohamed-al-mufti-architect-and-painter-of-our-time\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mohamed Al Mufti, Architect and Painter of Our Time\" \/>\n<meta property=\"og:description\" content=\"Nicole Hamouche visits artist and architect at his Beirut studio, whose work reflects on Damascus&#039; and Beirut\u2019s political and social scene.\" 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