{"id":28562,"date":"2023-10-01T09:20:39","date_gmt":"2023-10-01T07:20:39","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=28562"},"modified":"2023-10-03T21:53:31","modified_gmt":"2023-10-03T19:53:31","slug":"editors-picks-public-intellectuals","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/","title":{"rendered":"Editors&#8217; Picks: Public Intellectuals"},"content":{"rendered":"<h5>In the 20<sup>th<\/sup> century, public intellectuals were the international stars of literature and ideas \u2014 they were Albert Camus, James Baldwin, Susan Sontag, Roland Barthes, Frantz Fanon and too many others to name in the &#8220;west.&#8221; In the Arab world and Africa there was a time when we looked to writers like <a href=\"https:\/\/algeriecultures.com\/actualite-culturelle\/feraoun-a-produit-une-oeuvre-avant-gardiste-quil-convient-de-relire-tassadit-yacine-et-herve-sanson\/\">Mouloud Feraoun<\/a>, Kateb\u00a0 Yacine and Assia Djebar in Algeria and <a href=\"https:\/\/palestinewrites.org\/shop\/\">Ghassan Kanafani<\/a> out of Palestine, as well as a parade of intelligensia from Egypt, Iran, Iraq, Morocco and beyond. But who do we turn to, today? That is the question that our editors attempt to address in the following sketches.<\/h5>\n<p>&nbsp;<\/p>\n<h4>SINAN ANTOON<\/h4>\n<figure id=\"attachment_28596\" aria-describedby=\"caption-attachment-28596\" style=\"width: 229px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"wp-image-28596 size-medium\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/sinan-antoon-bw-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/sinan-antoon-bw-229x300.jpg 229w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/sinan-antoon-bw.jpg 600w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><figcaption id=\"caption-attachment-28596\" class=\"wp-caption-text\">Sinan Antoon<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Born in Iraq, Antoon is an academic, author, filmmaker, poet, and activist. A long-time critic of Saddam Hussein, Antoon was forced to flee Iraq in 1991. His position against the US invasion of Iraq which he blames \u201c<\/span><a href=\"https:\/\/mideastposts.com\/middle-east-society\/sinan-antoon-the-barbarian-whos-keeping-it-real\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">for the current corruption, primarily, because it created the post-Saddam political arena and populated it with its allies,\u201d<\/span><\/a><span style=\"font-weight: 400;\"> sets him apart from most other Iraqi public intellectuals in the diaspora.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sinan Antoon\u2019s contribution to the Arab literary canon is immense and far-reaching. With several titles to his name (in Arabic as well as in other languages), Antoon has also contributed numerous translations of Arabic poetry into English, most notably his co-translation of a selection of Palestinian poet Mahmoud Darwish&#8217;s work, published under the title <\/span><i><span style=\"font-weight: 400;\">Unfortunately It Was Paradise<\/span><\/i><span style=\"font-weight: 400;\">, which was nominated for a PEN Prize for translation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">His film\u00a0<\/span><i><span style=\"font-weight: 400;\">About Baghdad <\/span><\/i><span style=\"font-weight: 400;\">(2003), on which he collaborated and in which he is featured, was called by the New York Times \u201cemotionally and intellectually challenging.&#8221; The film won the award for best documentary at the Big Apple Film Festival in 2004 and appeared at numerous film festivals around the world.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Antoon\u2019s work has received not only accolades but the praise of many of the 21<\/span><span style=\"font-weight: 400;\">st<\/span><span style=\"font-weight: 400;\"> century\u2019s intellectuals, both inside the Arab region and beyond. If anything, Antoon\u2019s superpower lies in his sensitive approach to the human condition, allowing him to lend his voice to those of his countrymen silenced by a lifetime of fear, consuming violence and oppression. And yet, oftentimes he is left \u201cspeechless, like many of us are,\u201d he comments in one <\/span><a href=\"https:\/\/www.theguardian.com\/books\/2015\/mar\/03\/sinan-antoon-iraq-ave-maria-isis\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">interview<\/span><\/a><span style=\"font-weight: 400;\">. \u201cBut we are in the business of words so we have to somehow try and represent the effects of all of this on human beings.\u201d<\/span><\/p>\n<h4>NAJWA BIN SHATWAN<\/h4>\n<figure id=\"attachment_28601\" aria-describedby=\"caption-attachment-28601\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"wp-image-28601 size-medium\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/najwa-bin-shatwan-bw-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/najwa-bin-shatwan-bw-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/najwa-bin-shatwan-bw-600x401.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/najwa-bin-shatwan-bw.jpg 669w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28601\" class=\"wp-caption-text\">Najwa Bin Shatwan<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">A Libyan academic and novelist who was listed in 2009 as one of the 39 best Arab authors under the age of 40 by Hay Festival\u2019s Beirut 39 project, she presently lives in Italy. Bin Shatwan\u2019s doctoral research focused on the slave trade in Libya and the repercussions on Libyan society and organization in the Ottoman period (1552-1911). This resulted in her seminal novel <\/span><i><span style=\"font-weight: 400;\">The Slave Yards<\/span><\/i><span style=\"font-weight: 400;\"> (Syracuse Press 2020), which is set in late 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century Benghazi, about a taboo relationship which lifts the lid on the harrowing circumstances of slaves, particularly women, in Libya, opening a never-before window onto a dark chapter of Libyan history. \u201cThe slavery that I wrote about that was prevalent in the last century in Arab and Islamic countries came back,\u201d she said in an <\/span><a href=\"https:\/\/www.shubbak.co.uk\/behind-the-slave-yards\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">interview<\/span><\/a><span style=\"font-weight: 400;\"> with Banipal, \u201c\u2026 when Daesh took control of areas in Iraq, Syria; took women captive and sold them in slave markets. Daesh took us back to the Dark Ages while we\u2019re living in the 21st century! Isn\u2019t writing about Daesh at this time, a sort of historical writing?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bin Shatwan\u2019s stories defiantly focus on topics considered \u201csensitive\u201d for a woman to tackle in Libya as well as in the Arab region, and yet she\u2019s made it her life\u2019s mission to break her fear of society\u2019s social, political and religious control, relying in her works on a melange of dry wit and a dark sense of humor.<\/span><\/p>\n<h4 style=\"text-align: right;\">\u00a0\u2014 Rana Asfour<\/h4>\n<hr \/>\n<h4>AMIN MAALOUF<\/h4>\n<figure id=\"attachment_28593\" aria-describedby=\"caption-attachment-28593\" style=\"width: 300px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"size-medium wp-image-28593\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/amin-maalouf-bw-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/amin-maalouf-bw-300x169.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/amin-maalouf-bw.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28593\" class=\"wp-caption-text\">Amin Maalouf<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Amin Maalouf captured my imagination with his novels <\/span><i><span style=\"font-weight: 400;\">Leo Africanus<\/span><\/i><span style=\"font-weight: 400;\"> (based on the life of the adventurer-scholar Hasan Al-Wazzan, who wrote the world\u2019s<\/span><span style=\"font-weight: 400;\">\u00a0first trilingual dictionary, in Latin, Arabic and Hebrew) and <\/span><i><span style=\"font-weight: 400;\">Samarkand<\/span><\/i><span style=\"font-weight: 400;\"> (riffing on the life of Omar Khayyam). But it was <\/span><i><span style=\"font-weight: 400;\">In the Name of<\/span><\/i> <i><span style=\"font-weight: 400;\">Identity<\/span><\/i><span style=\"font-weight: 400;\"> (2000), which became a touchstone for a generation of writers and thinkers who found themselves navigating between east and west. The book anchored us in our belief that we are in fact more than just our nationality or our mother tongue, that we are multiple, a human condition that is at the root of the intellectual, who is here to question everything, to take nothing at face value, and who often sees the second and third degree, the palimpsests of life<\/span><i><span style=\"font-weight: 400;\">. In the Name of Identity<\/span><\/i><span style=\"font-weight: 400;\"> was important to many of us after 9\/11, when being Arab or \u201cMiddle Eastern\u201d was to be associated inexorably with extremism, with the dramatic and tragic bombings taking place hither and thither (often killing more Muslims than Judeo-Christian westerners).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cEvery individual is a meeting ground for many different allegiances, and sometimes these loyalties conflict with one another and confront the person who harbors them with difficult choices,\u201d wrote Maalouf. Like many of us writing in TMR, he related to the region we call \u201cthe Middle East, the Mediterranean, the Arab world,\u201d but he also emigrated to France from Lebanon and ultimately, choosing to write in French, became a member of the Acad\u00e9mie Fran\u00e7aise, one of the privileged few non-French writers of Arab origin to belong to that august body (the other being the late Algerian writer Assia Djebar). \u201cEach of us should be encouraged to accept his own diversity, to see his identity as the sum of all his various affiliations,\u201d Maalouf concluded. His ideas didn\u2019t only concern his compatriots from southwest Asia, the Levant or North Africa \u2014 Maalouf also conceived of \u201ca new Europe\u201d where the salad of identity would become the norm, as opposed to the more nationalist or tribal tendencies that often separated us.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On September 28, 2023, the Acad\u00e9mie Fran\u00e7aise elected Maalouf to the office of permanent secretary, as reported in <\/span><a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2023\/09\/28\/amin-maalouf-a-ete-elu-secretaire-perpetuel-de-l-academie-francaise_6191445_3246.html\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Le Monde<\/span><\/a><span style=\"font-weight: 400;\"> \u2014 a position that effectively makes Maalouf the 24<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> officer of France. Referring to him as \u201c<\/span><span style=\"font-weight: 400;\">un homme passe-fronti\u00e8res\u201d (a man beyond borders), the newspaper reminded us that Maalouf started out as a correspondent covering Saigon during the Vietnam War, before he went up to his ivory tower to produce an impressive range of novels and nonfiction titles. His newest,<\/span> <i><span style=\"font-weight: 400;\">Le Labyrinthe des \u00e9gar\u00e9s: L\u2019Occident et ses adversaires, <\/span><\/i><span style=\"font-weight: 400;\">appears in October from<\/span> <span style=\"font-weight: 400;\">Grasset.<\/span><\/p>\n<h4>AZAR NAFISI<\/h4>\n<figure id=\"attachment_28597\" aria-describedby=\"caption-attachment-28597\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"size-medium wp-image-28597\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Azar-Nafisi-bw-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Azar-Nafisi-bw-300x297.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Azar-Nafisi-bw-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Azar-Nafisi-bw-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Azar-Nafisi-bw.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28597\" class=\"wp-caption-text\">Azar Nafisi<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">When it comes to intellectual Iranian women living outside of Iran \u2014 women who raise their voices against the corrupt Islamic Republic \u2014 there is no shortage of troublemakers and writers calling for freedom. Take your pick among Shirin Ebadi, Marjane Satrapi, Gina Nahai, Janet Afary and the list goes on.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As a writer and educator, Azar Nafisi has been in the public eye for decades. Whether teaching literary classics in Iran or talking about freedom and democracy in the United States, she has put herself on the line, taking risks many of us don\u2019t have to.<\/span><span style=\"font-weight: 400;\"> Beyond the book for which she is best known, <\/span><i><span style=\"font-weight: 400;\">Reading Lolita in Tehran<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><span style=\"font-weight: 400;\">she has taught aesthetics, culture and literature at the Free Islamic University, Allameh Tabatabaii, and the University of Tehran (where she was eventually expelled for refusing to wear the mandatory hijab). She was a Fellow and taught for 20 years at the <\/span><span style=\"font-weight: 400;\">Foreign Policy Institute of Johns Hopkins University\u2019s School of Advanced International Studies. Azar Nafisi has lectured and written extensively both in English and Persian \u201con the political implications of literature and culture, as well as the human rights of Iranian women and girls and the important role they play in the process of change for pluralism and an open society in Iran.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hamid Dabashi, among other exiled Iranian intellectuals, has criticized Nafisi, for among other things being the darling of the misguided Iranian feminist movement \u2014 but that was before the #MahsaAmini uprising took off last fall. Whether you like or disdain Azar Nafisi\u2019s voluminous words over the course of more than a dozen books, you cannot discount the fact that she has been in the frontlines when it comes to championing literature and freedom. Her most recent title, after all, is <\/span><a href=\"https:\/\/www.goodreads.com\/book\/show\/49867396-read-dangerously\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Read Dangerously: The Subversive Power of Literature in Troubled Times<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">. <\/span><\/i><span style=\"font-weight: 400;\">What\u2019s not to like?<\/span><\/p>\n<h4 style=\"text-align: right;\"><span style=\"font-weight: 400;\">\u2014 Jordan Elgrably<\/span><\/h4>\n<h4>SHEREEN EL FEKI<\/h4>\n<figure id=\"attachment_28598\" aria-describedby=\"caption-attachment-28598\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"wp-image-28598 size-medium\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/shereen-el-feki-bw-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/shereen-el-feki-bw-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/shereen-el-feki-bw.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28598\" class=\"wp-caption-text\">Shereen El Feki<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The publication of <\/span><i><span style=\"font-weight: 400;\">Sex and the Citadel: Intimate Life in a Changing Arab World<\/span><\/i><span style=\"font-weight: 400;\"> by Shereen El Feki in 2013 marked the emergence of a new kind of Arab public intellectual. On her X\/Twitter feed she describes herself as: \u201cWriter-academic-activist on sexualities and masculinities in the Arab region. If you really want to know a people, start by looking inside their bedrooms.\u201d The British Canadian Egyptian molecular immunologist turned social scientist has always taken a highly informed, sometimes humorous view on a subject as serious, and potentially dark, as Middle Eastern sexuality.<\/span><\/p>\n<p><a href=\"http:\/\/sexandthecitadel.com\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Sex &amp; the Citadel<\/span><\/i><\/a><span style=\"font-weight: 400;\"> was the result of five years of research. It challenged stereotypes and gave voice particularly to women across a wide social spectrum, from sociologists to sex therapists in Egypt to Saudi Arabia, Tunisia to Qatar. Although El Feki interviewed \u201ca ton of men\u201d for the book, she admitted to me they didn\u2019t make the final edit \u201cbecause the women are much more interesting; they are so much more thoughtful.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She went on to explain, \u201cMen don\u2019t have a clue. You know the classic cartoon of a woman sitting beside her husband and there are bubbles, and she\u2019s thinking, \u2018Oh what have I done? What is he thinking?\u2019 You look inside his brain and it is a test pattern essentially. It\u2019s very interesting in any culture to get men to articulate especially around sexuality. They\u2019re not conditioned to do it.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Yet, her intellectual curiosity was piqued about the opposite sex, and El Feki went on to join <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Instituto_Promundo\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Promundo<\/span><\/a><span style=\"font-weight: 400;\">, the male-focused to prevent gender-based violence NGO, in Brazil.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She had just finished surveying men in Egypt, Lebanon, Morocco and Palestine and had been invited by the Kuwait government to survey men in Kuwait when we spoke, in London. This was before the 2017 publication of the report \u201c<\/span><a href=\"https:\/\/www.unwomen.org\/sites\/default\/files\/Headquarters\/Attachments\/Sections\/Library\/Publications\/2017\/IMAGES-MENA-Multi-Country-Report-EN.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Understanding Masculinities: Results from the International Men and Gender Equality Survey (IMAGES) \u2013 Middle East and North Africa<\/span><\/a><span style=\"font-weight: 400;\">\u201d by Promundo-US and UN Women, for which El Feki served as the principal investigator.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTo be a man in the Arab region, but around the world generally, is largely defined by economics; you are a man if you are a provider. You don\u2019t have many other ways to prove your manhood. And the challenge, of course, in the Arab region is how can you do that when the jobs are so scarce and money is so tight. And it\u2019s not a coincidence that the unemployment rates are highest among young men.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She explained her research in language that is easily understood. \u201cIt\u2019s really clear if you\u2019ve spent time with these young men, they\u2019re all dressed up and no where to go: The stunning boredom of being a young man in Egypt.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cSo for them also to assert their manliness is increasingly difficult. Combined with that is the fact that they are raised in the shadow of fundamentalism \u2014 that\u2019s the generation that\u2019s come up. We think it is the combination of the two that are leading to these less open [attitudes]. There is something that gets lost in the mix: Although their ideas are quite closed in many respects, their practices are much more open, in some ways.\u00a0 So it\u2019s very often that younger fathers are looking after their kids. It\u2019s younger husbands who are sharing decisions with their wives. So they might not be saying it but they are in a sense doing it.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Why did she think surveys of Arab sexuality so fascinated the West?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cActually the problem is the western framing of the Arab region. The sexual misery of the Arabs \u2014 this is what Westerns want to hear. They want that sense of cultural superiority particularly now it\u2019s very useful to the \u2018othering\u2019 process that these people don\u2019t belong here [as migrants]; they are not \u2018like\u2019 us because of this, this and this. They don\u2019t accept women\u2019s rights, they\u2019re not sexually open, they don\u2019t accept sexuality etc. etc. etc. That\u2019s not the reality for people on the ground.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen I read the criticism of Islam particularly within the frame of sexuality it really is medieval Christian critique remixed for YouTube and Instagram.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During our conversation she reminded me, \u201cThe other thing, for the previous generation, it was the well-intentioned almost colonial rescuing, fallen Arabs sort of [narrative], and the region doesn\u2019t need that anymore. It has its own voices that speak perfect English and understand how the West works.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cA completely new generation of groups have emerged, a lot of them on the internet. They are really feisty and they are tackling issues around sexuality. Despite what I said about young men drifting off to what might be considered a more patriarchal time, there have actually been a lot of men who have stepped up.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since we\u2019ve spoken, El Feki has joined the London-based, foreign affairs think tank <\/span><a href=\"https:\/\/www.chathamhouse.org\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Chatham House<\/span><\/a><span style=\"font-weight: 400;\"> as an associate fellow in the Global Health Program. In June, she co-authored an expert comment, \u201c<\/span><a href=\"https:\/\/www.chathamhouse.org\/2023\/06\/how-live-and-love-under-oppressive-laws\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">How to Live and Love under Oppressive Laws<\/span><\/a><span style=\"font-weight: 400;\">,\u201d with the founder of MOSAIC-MENA <\/span><a href=\"https:\/\/www.thefemword.world\/the-word\/mosaic-mena\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Charbel Maydaa<\/span><\/a><span style=\"font-weight: 400;\">. They write, \u201cWhile many are shocked by developments in Uganda, they look like just another day for those living in the Middle East and North Africa (MENA).\u201d Then they point out, \u201cMore than four-fifths of countries in the region criminalize same-sex relations (including the death penalty in a handful of states) &#8230;\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Interestingly they include a few examples of how draconian laws have been leniently interpreted in some MENA countries like Lebanon, which prohibits \u201csex contrary to the order of nature;\u201d and Morocco. \u201c\u2026 HIV-focused NGOs such as ALCS in Morocco provide prevention, testing, treatment and other support to a range of key populations (including LGBTQ+ individuals), even in the presence of laws criminalizing such groups \u2026\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The expert comment also provides an important link to a 153-page Human Rights Watch report and video, \u201c<\/span><a href=\"https:\/\/www.hrw.org\/report\/2023\/02\/21\/all-terror-because-photo\/digital-targeting-and-its-offline-consequences-lgbt\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">All This Terror Because of a Photo: Digital Targeting and Its Offline Consequences for LGBT People in the Middle East and North Africa<\/span><\/a><span style=\"font-weight: 400;\">,\u201d about online government entrapment in Egypt, Iraq, Jordan, Lebanon and Tunisia.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In her writings and lectures, El Feki always shares vital information. For this public intellectual on one of the most complex issues of our times, knowledge is power.<\/span><\/p>\n<p><span style=\"font-size: 14px;\"><em>Shereen El Feki was featured in \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=16LeQ0fAKxQ&amp;ab_channel=JINSPodcast\" target=\"_blank\" rel=\"noopener\">Intimate Life in a Changing Arab World<\/a>\u201d on Episode 3 of Women of the Middle East Podcast.<\/em><\/span><\/p>\n<figure id=\"attachment_28600\" aria-describedby=\"caption-attachment-28600\" style=\"width: 1001px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-28600\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal.jpg\" alt=\"Khalida Popal\" width=\"1001\" height=\"667\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal.jpg 1200w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal-1024x683.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal-768x512.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Khalida-Popal-600x400.jpg 600w\" sizes=\"(max-width: 1001px) 100vw, 1001px\" \/><figcaption id=\"caption-attachment-28600\" class=\"wp-caption-text\">Khalida Popal<\/figcaption><\/figure>\n<h4><span style=\"font-weight: 400;\">KHALIDA POPAL <\/span><\/h4>\n<p><span style=\"font-weight: 400;\">In the Middle East women\u2019s bodily autonomy is not a newly contested public space. Recently, however, thousands more women have been putting their bodies on the frontline. A region mired in misogyny can no longer rely on mainly male public intellectuals and political theorists. Action is required. <\/span><a href=\"https:\/\/www.nytimes.com\/2023\/09\/14\/sports\/soccer\/afghanistan-womens-soccer-khalida-popal.html\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Khalida Popal<\/span><\/a><span style=\"font-weight: 400;\">, a former defender and team captain of the Afghan national woman\u2019s soccer team \u2014 once described as \u201ca tireless attacker\u201d on the field \u2014 has become a formidable public intellectual in the world of sports and beyond.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Afghanistan has been a terrible country for women\u2019s football. Attacked and called prostitutes because of their sports apparel, players practiced on a NATO airbase. Once Popal\u2019s father and brothers were targeted in a knife attack. She was forced to seek asylum in Denmark, and her brother Idris was murdered.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2018, she witnessed the sexual abuse of players practicing in Jordan and helped them bring charges of rape and violence against Afghanistan Football Federation officials, a case that resonated across FIFA\u2019s women\u2019s league, in teams often controlled by powerful male coaches.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During the Taliban\u2019s 2021 recapturing of Kabul, Popal told women players over WhatsApp to ditch their social media accounts and burn or bury their sports kit. She rallied human rights sports organizations, international lawyers and government officials in six countries to find asylum for the threatened athletes. It was a near impossible logistical feat to get them through Taliban-controlled checkpoints and the chaotic crowds at the Kabul airport onto leaving planes. The team now resides and plays in Melbourne, Australia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Popal continues her crusade to get FIFA to recognize Afghanistan\u2019s national women\u2019s team. She wants them to compete in the international league, even though they represent a country with a government that wants to kill them.<\/span><\/p>\n<h4 style=\"text-align: right;\">\u2014Malu Halasa<\/h4>\n<hr \/>\n<h4>HAZEM SAGHIEH<\/h4>\n<figure id=\"attachment_28592\" aria-describedby=\"caption-attachment-28592\" style=\"width: 300px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"size-medium wp-image-28592\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw-300x300.jpg\" alt=\"Hazen Saghieh\" width=\"300\" height=\"300\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/HazenSaghieh-bw.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28592\" class=\"wp-caption-text\">Hazem Saghieh<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">It has become a clich\u00e9 to describe Lebanese writer Hazem Saghieh as controversial, and yet it is impossible to introduce him without placing that fact front and center. A journalist highly and openly critical of journalism and its inability to affect change in the Arab world, where\u00a0<\/span><a href=\"https:\/\/en.qantara.de\/content\/interview-with-the-lebanese-journalist-hazem-saghieh-more-lapdog-than-watchdog\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">\u201cthe media is the lapdog of those in charge,\u201d<\/span><\/a><span style=\"font-weight: 400;\">\u00a0he has nevertheless devoted his entire life to it. He began writing for the Lebanese daily Al-Safir in 1974 and has been a fixture of newspaper columns in the region\u2019s most prominent newspapers since, providing political analysis on everything from the Iraqi and Syrian Ba\u2019ath to the crisis of the individual in the Middle East.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Playful and sarcastic, his writings and columns often display the wry humor of someone who\u2019s seen it all, and for that reason he sometimes comes across as more than a little impatient with ideas that he\u2019s already tried on for size and found lacking. And there is hardly any influential ideology in the Arab world that he hasn\u2019t tried on. His 2007 political memoir, in typically defiant fashion entitled\u00a0<\/span><i><span style=\"font-weight: 400;\">This is Not a Memoir<\/span><\/i><span style=\"font-weight: 400;\"> (Hathihi laysat seera), traces his evolution through nearly every significant wave of Arab political thought that has swept through the region in the tumultuous latter half of the 20<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\">\u00a0century. Saghieh divides his book into chapters that each deal with one of his political incarnations: as a staunch Nasserite, a Syrian Nationalist, a Communist and even a supporter of Iran\u2019s Ayatollah Khomeini.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It was the Lebanese civil war that finally disabused him of \u201call the\u00a0different forms of totalitarian ideas,\u201d as he puts it, that he\u2019d spent so many long years embracing and then abandoning. \u201cThe war had shown me the latter\u2019s failures;\u201d he writes. \u201cI watched all those concepts and theories ravage one another in the streets and alleyways, reduced to slaughter, violation, abductions, and looting.\u201d (Translations from Arabic mine).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Today, he is known as the foremost figure of Arab liberalism, openly contemptuous of what he calls the \u201canti-politics\u201d of the Arab world (\u201canti-imperialism, anti-Americanism\u201d) and it is this, more than anything else, that has earned him his controversial label. Still, in a region where so many of the old guard are still hanging on to views they\u2019ve unwaveringly championed for decades, Saghieh has conversely become known for his flexibility of ideas.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s impossible to live through such profound changes and not to change,\u201d he explains in an Al-Jazeera interview in Arabic. \u201cIt\u2019s not normal.\u201d And it is this capacity for change that keeps him relevant after 25 books and countless columns, with no sign of slowing down.<\/span><\/p>\n<h4>MOHAMMED EL-KURD<\/h4>\n<figure id=\"attachment_28599\" aria-describedby=\"caption-attachment-28599\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"size-medium wp-image-28599\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/mohammed-el-kurd-bw-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/mohammed-el-kurd-bw-300x200.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/mohammed-el-kurd-bw.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28599\" class=\"wp-caption-text\">Mohammed El-Kurd<\/figcaption><\/figure>\n<p>Usually, one reaches a ripe, mature age before being considered a public intellectual, but Mohammad El-Kurd has earned his way onto the list at the tender age of 25. The Jerusalem born and bred, US educated El-Kurd is already among the world\u2019s most famous Palestinian activists, having spoken before the United Nations General Assembly and appeared regularly as a commentator on several major US news channels, including CNN and MSNBC. In 2021, he and his twin sister Muna were named among TIME 100\u2019s most influential people in the world. Both siblings have been campaigning against the Israeli occupation of their homeland \u2014 and actual home \u2014 since they were children. Thrust into the role of activists when settlers forcibly took over part of the family home in 2009, it was the campaign to save the Sheikh Jarrah neighborhood in 2021 that truly catapulted him into the public eye, as demonstrations against the takeover of the Jerusalem neighborhood ignited into protests across the Palestinian territory \u2014 including the lands occupied in 1948. These protests were so widespread that some hailed them as harbingers of a third intifada, and El-Kurd was front and center, live tweeting all the Jerusalem protests in perfect, precisely-wielded English and even getting arrested at one point.<\/p>\n<p>But it is not El-Kurd\u2019s activism that prompts me to call him a public intellectual, it\u2019s his writing. El-Kurd is a poet (his debut collection, <em>Rifqa<\/em>, was published by Haymarket Books in 2021), a correspondent for The Nation and was also recently appointed Culture Editor for <a href=\"https:\/\/mondoweiss.net\/author\/mohammedelkurd\/\">Mondoweiss<\/a>. He writes with an eloquence so fierce and fiery that some of his columns read like rousing manifestos. But his work isn\u2019t mere rhetorical flourish or oration \u2014 the outrage is always keenly balanced by a stony, calm intelligence, and thus his words, no matter how forceful, always feel surgically chosen.<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\"><a href=\"https:\/\/themarkaz.org\/oldsite\/poetry-mohammed-el-kurds-rifqa-reviewed\/\">Poetry: Mohammed El-Kurd\u2019s \u201cRifqa\u201d Reviewed<\/a><\/h4>\n<hr \/>\n<p style=\"text-align: left;\">What makes him so electrifying as a writer and speaker is that he openly says what so few dare to say. \u201c<a href=\"https:\/\/www.un.org\/unispal\/wp-content\/uploads\/2021\/11\/Speech-of-Mohammed-Al-Kurd-before-the-General-Assembly-cad.pdf\" target=\"_blank\" rel=\"noopener\">I do not care whom this terminology offends<\/a>,\u201d he said in his address before the UN General Assembly, having repeatedly referred to Israel as a settler-colony, and indeed, he remains true to his word. A recent <a href=\"https:\/\/mondoweiss.net\/2023\/09\/jewish-settlers-stole-my-house-its-not-my-fault-theyre-jewish\/\" target=\"_blank\" rel=\"noopener\">column in Mondoweiss<\/a> generated great controversy as El-Kurd did his typical thing of \u201csaying the quiet part out loud,\u201d writing about how he rejects the Palestinian imperative to have to speak carefully and politely about his occupiers \u2014 who happen, through no fault of his own, to be Jewish \u2014 in order to avoid rousing the specter of European antisemitism. Agree or disagree with his in-your-face approach, El-Kurd remains a powerful, unapologetic Palestinian voice, thrillingly speaking truth to power in power\u2019s own language.<\/p>\n<h4 style=\"text-align: right;\">\u2014Lina Mounzer<\/h4>\n<hr \/>\n<h4>KHALED FAHMY<\/h4>\n<figure id=\"attachment_28594\" aria-describedby=\"caption-attachment-28594\" style=\"width: 300px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"size-medium wp-image-28594\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/khaled-fahmy-300x283.jpg\" alt=\"khaled fahmy\" width=\"300\" height=\"283\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/khaled-fahmy-300x283.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/khaled-fahmy.jpg 424w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28594\" class=\"wp-caption-text\">Khaled Fahmy<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Khaled Fahmy is the author of three books: <\/span><i><span style=\"font-weight: 400;\">All the Pasha\u2019s Men <\/span><\/i><span style=\"font-weight: 400;\">(American University in Cairo Press 2010<\/span><i><span style=\"font-weight: 400;\">)<\/span><\/i><span style=\"font-weight: 400;\"> about the statehood of Muhammad Ali, <\/span><i><span style=\"font-weight: 400;\">The Body and Modernity <\/span><\/i><span style=\"font-weight: 400;\">(Egyptian National Library and Archives 2005), about the medical practices in Egypt during the era of Muhammad Ali; and <\/span><i><span style=\"font-weight: 400;\">In Pursuit of Justice<\/span><\/i><span style=\"font-weight: 400;\"> (University of California Press 2018)<\/span><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">which is set in the 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century and centers around the Egyptian state\u2019s treatment of Egyptians\u2019 bodies. Although all three books have had profound influence in Egypt, it is the third title that places Fahmy as a writer ahead of his game.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">In<\/span><\/i> <i><span style=\"font-weight: 400;\">Pursuit of Justice<\/span><\/i><span style=\"font-weight: 400;\">, Fahmy investigates several decrees (faraman), laws and documents issued during Mohammad Ali\u2019s reign, and with a careful eye to detail, he deduces, in the most direct and simple way, the legislator\u2019s true intentions.\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fahmy writes free of ideological or cultural biases. Unlike many of his countrymen, his affiliations are always for the Egyptian people, never for the State. Choosing to deviate from the conventional narrative, his aim is to reshape the image of the ruler and his assistants, based on the documents and mandates they authored and the decisions they undertook while in office.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Every re-reading of Fahmy\u2019s books, without fail, reminds me of the beloved children\u2019s folktale about the shepherd and his sheep.\u00a0 The shepherd (the ruler) works to feed his sheep (the people), and with the help of his dogs, protects them from the evil wolf. As long as the sheep don\u2019t flock from the herd, everyone lives happily. And yet, it is the same shepherd, Fahmy warns in the tragic addendum he adds to the story, who every year, a few days before Eid al-Adha, leads the sheep to market to be slaughtered.<\/span><\/p>\n<h4>HESHAM SALLAM<\/h4>\n<figure id=\"attachment_28595\" aria-describedby=\"caption-attachment-28595\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"wp-image-28595 size-medium\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw-300x300.jpg\" alt=\"Hesham-Sallam\" width=\"300\" height=\"300\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw-300x300.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw-150x150.jpg 150w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw-450x450.jpg 450w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw-100x100.jpg 100w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/Hesham-Sallambw.jpg 512w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28595\" class=\"wp-caption-text\">Hesham Sallam<\/figcaption><\/figure>\n<p><strong>\u00a0<\/strong><span style=\"font-weight: 400;\">Hesham Sallam rocketed to fame in 2018 when he headed a small team with limited resources and even more limited funding into the desert on an excavation dig. The team managed to find and unearth the remains of a new species of dinosaur that they later named Mansourasaurus Shahina. Sallam and his team became the leading paleontologists in the country and were hosted on several local and international media channels.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With a very active presence on Facebook, Sallam appears not only as a scientist consumed with what he does, but he is also a keen proponent of the theory of evolution in a region that considers the mere thought of it as heresy. Every new post brings on an incessant stream of comments whereby the debates \u2014 and insults \u2014 revolve around a comparison between the theory of evolution and the story of creation as it appears in the holy Qur\u2019an. Sallam always stands his ground, pressing the point that his aim is merely in presenting the scientific facts as they are \u2014 no more and no less.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sallam\u2019s influence is widespread across the region and his incessant talk about evolution \u2014 which I find at times redundant, although still valuable \u2014 has earned him the admiration and respect of many. Today, in addition to digging and wrangling on Facebook, Hesham Sallam teaches at the American University in Cairo, following his previous work at Mansoura University, where he founded the Mansoura University Center for Vertebrate Paleontology.<\/span><\/p>\n<h4 style=\"text-align: right;\">\u2014Mohammad Rabie<\/h4>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.<\/p>\n","protected":false},"author":13,"featured_media":28605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[2656,12,3044],"tags":[2492,2418,3057],"coauthors":[2165],"class_list":["post-28562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-essay","category-tmr-35-public-intellectual","tag-book-list","tag-literary","tag-public-intellectuals","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Editors&#039; Picks: Public Intellectuals - The Markaz Review<\/title>\n<meta name=\"description\" content=\"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Editors&#039; Picks: Public Intellectuals\" \/>\n<meta property=\"og:description\" content=\"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" \/>\n<meta property=\"article:published_time\" content=\"2023-10-01T07:20:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-03T19:53:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1239\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"TMR\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"TMR\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"21 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/\"},\"author\":{\"name\":\"TMR\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#\\\/schema\\\/person\\\/309fb694fe9737a1fecd935c2b526b65\"},\"headline\":\"Editors&#8217; Picks: Public Intellectuals\",\"datePublished\":\"2023-10-01T07:20:39+00:00\",\"dateModified\":\"2023-10-03T19:53:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/\"},\"wordCount\":4293,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/editors-intellectuals1400-1.jpg\",\"keywords\":[\"book list\",\"literary\",\"public intellectuals\"],\"articleSection\":[\"Books\",\"Essays\",\"TMR 35 \u2022 PUBLIC INTELLECTUAL\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/\",\"name\":\"Editors' Picks: Public Intellectuals - The Markaz Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/editors-intellectuals1400-1.jpg\",\"datePublished\":\"2023-10-01T07:20:39+00:00\",\"dateModified\":\"2023-10-03T19:53:31+00:00\",\"description\":\"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#primaryimage\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/editors-intellectuals1400-1.jpg\",\"contentUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/editors-intellectuals1400-1.jpg\",\"width\":1920,\"height\":1239,\"caption\":\"Sinan Antoon, Khaled Fahmy, Shereen El Feki, Mohammed El-Kurd, Amin Maalouf, Azar Nafisi, Khalida Popal, Hazem Saghieh, Hesham Sallam, Najwa Bin Shatwan (photo montage TMR).\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/editors-picks-public-intellectuals\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Editors&#8217; Picks: Public Intellectuals\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#website\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/\",\"name\":\"The Markaz Review\",\"description\":\"Literature and Arts from the Center of the World\",\"publisher\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#organization\",\"name\":\"The Markaz Review\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/cropped-New-2023-TMR-Logo-500-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/cropped-New-2023-TMR-Logo-500-pix.jpg\",\"width\":473,\"height\":191,\"caption\":\"The Markaz Review\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#\\\/schema\\\/person\\\/309fb694fe9737a1fecd935c2b526b65\",\"name\":\"TMR\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=gfae1726c1a6b807ce4bd8c259d328a10\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=g\",\"caption\":\"TMR\"},\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/author\\\/tmr\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Editors' Picks: Public Intellectuals - The Markaz Review","description":"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/","og_locale":"en_US","og_type":"article","og_title":"Editors' Picks: Public Intellectuals","og_description":"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.","og_url":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/","og_site_name":"The Markaz Review","article_published_time":"2023-10-01T07:20:39+00:00","article_modified_time":"2023-10-03T19:53:31+00:00","og_image":[{"width":1920,"height":1239,"url":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","type":"image\/jpeg"}],"author":"TMR","twitter_card":"summary_large_image","twitter_misc":{"Written by":"TMR","Est. reading time":"21 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#article","isPartOf":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/"},"author":{"name":"TMR","@id":"https:\/\/themarkaz.org\/oldsite\/#\/schema\/person\/309fb694fe9737a1fecd935c2b526b65"},"headline":"Editors&#8217; Picks: Public Intellectuals","datePublished":"2023-10-01T07:20:39+00:00","dateModified":"2023-10-03T19:53:31+00:00","mainEntityOfPage":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/"},"wordCount":4293,"commentCount":1,"publisher":{"@id":"https:\/\/themarkaz.org\/oldsite\/#organization"},"image":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#primaryimage"},"thumbnailUrl":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","keywords":["book list","literary","public intellectuals"],"articleSection":["Books","Essays","TMR 35 \u2022 PUBLIC INTELLECTUAL"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/","url":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/","name":"Editors' Picks: Public Intellectuals - The Markaz Review","isPartOf":{"@id":"https:\/\/themarkaz.org\/oldsite\/#website"},"primaryImageOfPage":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#primaryimage"},"image":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#primaryimage"},"thumbnailUrl":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","datePublished":"2023-10-01T07:20:39+00:00","dateModified":"2023-10-03T19:53:31+00:00","description":"The editors of The Markaz Review made the difficult choice of selecting just two of their go-to public intellectuals.","breadcrumb":{"@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#primaryimage","url":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","contentUrl":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","width":1920,"height":1239,"caption":"Sinan Antoon, Khaled Fahmy, Shereen El Feki, Mohammed El-Kurd, Amin Maalouf, Azar Nafisi, Khalida Popal, Hazem Saghieh, Hesham Sallam, Najwa Bin Shatwan (photo montage TMR)."},{"@type":"BreadcrumbList","@id":"https:\/\/themarkaz.org\/oldsite\/editors-picks-public-intellectuals\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/themarkaz.org\/oldsite\/"},{"@type":"ListItem","position":2,"name":"Editors&#8217; Picks: Public Intellectuals"}]},{"@type":"WebSite","@id":"https:\/\/themarkaz.org\/oldsite\/#website","url":"https:\/\/themarkaz.org\/oldsite\/","name":"The Markaz Review","description":"Literature and Arts from the Center of the World","publisher":{"@id":"https:\/\/themarkaz.org\/oldsite\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/themarkaz.org\/oldsite\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/themarkaz.org\/oldsite\/#organization","name":"The Markaz Review","url":"https:\/\/themarkaz.org\/oldsite\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/themarkaz.org\/oldsite\/#\/schema\/logo\/image\/","url":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/08\/cropped-New-2023-TMR-Logo-500-pix.jpg","contentUrl":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/08\/cropped-New-2023-TMR-Logo-500-pix.jpg","width":473,"height":191,"caption":"The Markaz Review"},"image":{"@id":"https:\/\/themarkaz.org\/oldsite\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/themarkaz.org\/oldsite\/#\/schema\/person\/309fb694fe9737a1fecd935c2b526b65","name":"TMR","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=gfae1726c1a6b807ce4bd8c259d328a10","url":"https:\/\/secure.gravatar.com\/avatar\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/03a03852632c922c921047bdc12fb92aa06d8095daad03b540239448b448a6b0?s=96&d=mm&r=g","caption":"TMR"},"url":"https:\/\/themarkaz.org\/oldsite\/author\/tmr\/"}]}},"jetpack_featured_media_url":"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/09\/editors-intellectuals1400-1.jpg","_links":{"self":[{"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/posts\/28562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/comments?post=28562"}],"version-history":[{"count":0,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/posts\/28562\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/media\/28605"}],"wp:attachment":[{"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/media?parent=28562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/categories?post=28562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/tags?post=28562"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/themarkaz.org\/oldsite\/wp-json\/wp\/v2\/coauthors?post=28562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}