{"id":25466,"date":"2023-03-05T12:00:29","date_gmt":"2023-03-05T10:00:29","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=25466"},"modified":"2023-03-06T08:52:28","modified_gmt":"2023-03-06T06:52:28","slug":"poet-farnaz-fatemi","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/poet-farnaz-fatemi\/","title":{"rendered":"Poet Farnaz Fatemi"},"content":{"rendered":"<h4>Farnaz Fatemi<\/h4>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_25481\" aria-describedby=\"caption-attachment-25481\" style=\"width: 375px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"size-full wp-image-25481\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/03\/sister-tongue-farnaz-fatemi-the-markaz-review.jpg\" alt=\"\" width=\"375\" height=\"580\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/03\/sister-tongue-farnaz-fatemi-the-markaz-review.jpg 375w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/03\/sister-tongue-farnaz-fatemi-the-markaz-review-194x300.jpg 194w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/><figcaption id=\"caption-attachment-25481\" class=\"wp-caption-text\"><em>Sister Tongue<\/em> is available from <a href=\"https:\/\/www.kentstateuniversitypress.com\/2022\/sister-tongue\/\" target=\"_blank\" rel=\"noopener\">Kent State University Press<\/a>.<\/figcaption><\/figure>\n<p class=\"\">The poems in\u00a0<em>Sister Tongue<\/em>\u00a0explore negative spaces\u2014the distance between twin sisters, between lovers, between Farsi and English, between the poet\u2019s upbringing in California and her family in Iran. This space between vibrates with loss and longing, arcing with tension. Fatemi\u2019s poetry delves into the intricacies of the relational space between people, the depth of ancestral roots, and the visceral memories that shimmer beyond the reach of words.<\/p>\n<p class=\"\">Language is one of the origins of the poet\u2019s displacement and the evidence of her non-belonging\u2014in both Farsi- and English-speaking communities. The long lyric essay which makes up the spine of this book plumbs years of wordlessness and a journey of reconciliation, as Fatemi asks how her tongue might be a passport to the otherwise inaccessible territories within a self.<\/p>\n<p class=\"\">The poems in <em>Sister Tongue<\/em> metabolize longing while holding space for the poet\u2019s multiple inheritances, offering a vision of a porosity of self. Through the work of this reckoning, Fatemi reveals how connections between people and places might be forged.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Poet Farnaz Fatemi for Poetry Markaz, The Markaz Review.\" src=\"https:\/\/player.vimeo.com\/video\/804821300?h=d034a44adf&amp;dnt=1&amp;app_id=122963\" width=\"750\" height=\"500\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p style=\"padding-left: 80px;\"><strong>Untranslated<\/strong><\/p>\n<p style=\"padding-left: 80px;\">In the silence of my girlhood, spoons<br \/>\nclattered in glasses of tea.<\/p>\n<p style=\"padding-left: 80px;\">The squeak of the front door closing.<br \/>\nI was the child<\/p>\n<p style=\"padding-left: 80px;\">I\u2019d never have. I listened for clues.<br \/>\nI spoke without saying a thing.<\/p>\n<p style=\"padding-left: 80px;\">I made sounds to fill<br \/>\nthe spaces I could see<\/p>\n<p style=\"padding-left: 80px;\">around everyone. My teeth and eyes<br \/>\ngleamed, face open, a flower.<\/p>\n<p style=\"padding-left: 80px;\">As if to say to these people,<br \/>\n<em>Speak<\/em>. <em>Say things I understand. <\/em><em>\u00a0<\/em><\/p>\n<p style=\"padding-left: 80px;\">Their untranslated words whoosh by,<br \/>\nan autumn gust.<\/p>\n<p style=\"padding-left: 80px;\">Staticky din of English and Farsi<br \/>\nwith afternoon fruit and cookies,<\/p>\n<p style=\"padding-left: 80px;\">my lips mouthing along with them<br \/>\nto pay attention, as I wrote their stories<\/p>\n<p style=\"padding-left: 80px;\">in my head, rearranged the letters<br \/>\ninto meaning. I heard the squished sounds<\/p>\n<p style=\"padding-left: 80px;\">of a heartbeat in a stethoscope,<br \/>\npump and thrum.<\/p>\n<p style=\"padding-left: 80px;\">In the languages<br \/>\nof women I could have been<\/p>\n<p style=\"padding-left: 80px;\">I felt both lonely and contained.<br \/>\nWe were chador-less,<\/p>\n<p style=\"padding-left: 80px;\">light-skinned. All the women<br \/>\nwho disappeared into the silence inside me,<\/p>\n<p style=\"padding-left: 80px;\">I pull from the roar of the past.<br \/>\nI make introductions. By which I mean,<\/p>\n<p style=\"padding-left: 80px;\">I want the foreigner in me<br \/>\nto meet the foreigner in me.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 80px;\"><strong>When I Kneel, I Don\u2019t Think of a God<\/strong><\/p>\n<p style=\"padding-left: 80px;\">I think of you, and you, and also you,<br \/>\nso long gone, now, I\u2019m not telling your stories,<br \/>\nI don\u2019t invoke you to explain laughter.<br \/>\nI have other beloveds nearby<br \/>\nI watch to learn how to live,<br \/>\nclose to the tip of my tongue, like you were.<br \/>\nYou do not linger out loud.<br \/>\nYou are not in my mouth.<\/p>\n<p style=\"padding-left: 80px;\">But it\u2019s not what you think. Now\u2014<br \/>\nlike the idiom I\u2019d only heard, but never<br \/>\nbit into, couldn\u2019t have swallowed\u2014<br \/>\nyou are in my liver. No, you are my liver.<br \/>\nThat\u2019s what I can say, when I pray:<br \/>\njigar-e-man, my liver,<br \/>\nteach me what to do now.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Farnaz Fatemi is an Iranian American poet in California whose book &#8220;Sister Tongue&#8221; won the 2021 Stan and Tom Wick Poetry Prize.<\/p>\n","protected":false},"author":356,"featured_media":25483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[34,35],"tags":[],"coauthors":[2435],"class_list":["post-25466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","category-poetry-markaz","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Poet Farnaz Fatemi - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Farnaz Fatemi is an Iranian American poet in California whose book &quot;Sister Tongue&quot; won the 2021 Stan and Tom Wick Poetry Prize.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldsite\/poet-farnaz-fatemi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poet Farnaz Fatemi\" \/>\n<meta property=\"og:description\" content=\"Farnaz Fatemi is an Iranian American poet in California whose book &quot;Sister Tongue&quot; won the 2021 Stan and Tom Wick Poetry Prize.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/themarkaz.org\/oldsite\/poet-farnaz-fatemi\/\" \/>\n<meta property=\"og:site_name\" content=\"The Markaz Review\" \/>\n<meta property=\"article:published_time\" content=\"2023-03-05T10:00:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-06T06:52:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2023\/03\/farnaz-fatemi-reading-at-kent-state.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"622\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Farnaz Fatemi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Farnaz Fatemi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/\"},\"author\":{\"name\":\"Farnaz Fatemi\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#\\\/schema\\\/person\\\/5f614be0f511efce66ea01212cfa06dd\"},\"headline\":\"Poet Farnaz Fatemi\",\"datePublished\":\"2023-03-05T10:00:29+00:00\",\"dateModified\":\"2023-03-06T06:52:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/\"},\"wordCount\":512,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/farnaz-fatemi-reading-at-kent-state.jpg\",\"articleSection\":[\"Poetry\",\"Poetry Markaz\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/\",\"url\":\"https:\\\/\\\/themarkaz.org\\\/oldsite\\\/poet-farnaz-fatemi\\\/\",\"name\":\"Poet Farnaz Fatemi - 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