{"id":10362,"date":"2022-09-26T08:35:28","date_gmt":"2022-09-26T06:35:28","guid":{"rendered":"https:\/\/themarkaz.org\/oldsite\/?p=10362"},"modified":"2024-03-26T16:53:33","modified_gmt":"2024-03-26T14:53:33","slug":"two-ways-to-see-morocco-from-across-the-mediterranean","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldsite\/two-ways-to-see-morocco-from-across-the-mediterranean\/","title":{"rendered":"Two Ways to See Morocco from Across the Mediterranean"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full wp-image-10365\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin.jpg\" alt=\"\" width=\"1341\" height=\"1188\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin.jpg 1341w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin-600x532.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin-300x266.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin-1024x907.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin-768x680.jpg 768w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/jad-mouride-leila-cab-mohamed-amine-habib-dechraoui-photo-luc-jennepin-1320x1169.jpg 1320w\" sizes=\"(max-width: 1341px) 100vw, 1341px\" \/><\/p>\n<h5><\/h5>\n<h5>Europe&#8217;s largest Arab performing arts festival welcomes younger artists working in diverse media.<\/h5>\n<p>&nbsp;<\/p>\n<h4>Nora Ounnas Leroy<\/h4>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Every year now, the <a href=\"https:\/\/www.festivalarabesques.fr\/festival\" target=\"_blank\" rel=\"noopener\">Festival Arabesques<\/a> brings a rich roster of performing and other artists to Montpellier, with a view to leading the dialogue of cultures between civilizations. One night, I ventured over to the <a href=\"https:\/\/www.tropisme.coop\/\" target=\"_blank\" rel=\"noopener\">Halle Tropisme<\/a>, a large arts and entrepreneurial complex, to attend what the festival called an \u201cincubator\u201d between two cities, Casablanca (commonly known as \u201cCasa\u201d) and Montpellier. Here I met two young emerging Moroccan artists in the LEADART incubator, presented with the Arabesques Sound System. LEADART serves to develop artistic and cultural exchanges on the theme of urban arts \u2014 our two artists were invited for a week of artistic residency at the Halle Tropisme.<\/p>\n<p><a href=\"https:\/\/eyzdesign.wordpress.com\/\">Jad Mouride<\/a> is a 29-year-old digital artist who lives in Casablanca. After studying journalism and communications, he became a multimedia designer of image and sound, creating mapping for various shows and festivals, but also 3D animations and generative art visuals. He has also been a musician for ten years and hosts DJ sets accompanied by interactive projections with the collective KUSSUF (\u201ceclipse\u201d).<\/p>\n<p><iframe loading=\"lazy\" title=\"Archidi - &#039;Nexta&#039; Album Movie  - &#039;Liminal&#039;\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/LtrRA8GX2jU?start=6&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>His &#8220;jack-of-all-trades&#8221; approach and the diversity of media he masters allow him to deal in an original and exhaustive way with subjects such as the human condition in relation to new technologies, surveillance, and taboos resulting from urban development.<\/p>\n<p>He suggests that he is at the forefront of &#8220;the beginnings of a new art, combining the physical, the virtual and the hybrid that create the equation of the physical world.&#8221;<\/p>\n<p>His work \u201cKhazablanca,\u201dfor instance, takes its name from a play on words between &#8220;Casablanca&#8221; and &#8220;Khaza&#8221; which means &#8220;lichens\u201d or \u201cmolds.&#8221; It is a co-creation with Salima Dhaibi, an actress who came up in the Casa theatre and performance art scene. \u201cKhazablanca\u201d offers &#8220;a subjective look at the brutality of human interactions,\u201d Mouride says. \u201cIt is a city in constant construction\/destruction. Casablanca is violent but also poetic. It illustrates the social oxymoron par excellence.&#8221;<\/p>\n<p>Mouride explains that construction in Casablanca, in 1912, of the first large modern port in the Moroccan kingdom marked a decisive and historic turning point in the economic development of the country, but also in its societal structure. Thanks to national and foreign investments, Casa quickly became an industrial capital, creating in the wake of its growth as much success and joy as inequality and despair.<\/p>\n<p>In his work, Mouride addresses issues such as the differences in population density. The bourgeois neighborhoods, once reserved for French settlers, are still those with the lowest population density.<\/p>\n<p>&#8220;It is important to know that it was in Casablanca that the first shanty towns were created in the 1930s,\u201d he explains, \u201cincreasing the gap between rich and poor, between those who have everything and large spaces to live and those who live on each other with little.\u201d<\/p>\n<p>His work also underlines the importance and the resurgence of magical rituals. The individual, having lost his bearings in an urban space designed essentially for work, seeks his balance, his deliverance.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_10378\" aria-describedby=\"caption-attachment-10378\" style=\"width: 1247px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-10378\" src=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy.jpg\" alt=\"\" width=\"1247\" height=\"467\" srcset=\"https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy.jpg 1247w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy-600x225.jpg 600w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy-300x112.jpg 300w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy-1024x383.jpg 1024w, https:\/\/themarkaz.org\/oldsite\/wp-content\/uploads\/2022\/09\/Mohamed-Amine-Ait-Hammou-the-swirti-game-at-halle-tropisme-photos-nora-ounnas-leroy-768x288.jpg 768w\" sizes=\"(max-width: 1247px) 100vw, 1247px\" \/><figcaption id=\"caption-attachment-10378\" class=\"wp-caption-text\">Mohamed Amine Ait Hammou presents the Moroccan money game, Swirti, at Halle Tropisme, Montpellier (photos Naomi Bernard).<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theatre-contemporain.net\/biographies\/Mohamed-Amine-AIt-Hammou\/\" target=\"_blank\" rel=\"noopener\">Mohamed Amine Ait Hammou<\/a> is a stage designer, director and video artist. He is 37 and lives in Tangiers. After attending the \u00c9cole des Beaux-Arts in Tetouan, he studied dramatic art and then enrolled in the \u00c9cole Sup\u00e9rieure des Arts Visuels of Marrakech. Today, he creates theater sets, video mapping and offers us, as part of LEADART, an interactive installation inspired by a popular money game in Moroccan fairs called Swirti.<\/p>\n<p>It is a question of reaching, with coins, a cutout of Morocco floating above a world map. When you throw the coin, you write your dearest wish in a white book, arranged for this purpose. All these wishes, dreams and desires will then be published in <em>The Book of Hope<\/em>. This installation, as childish as it may seem, raises above all the question of public space. How to share, appropriate, or re-invent public space in a city where it is not allowed to be mentioned?<\/p>\n<p>&#8220;My favorite themes are hope and disillusionment. Why do we leave our country instead of realizing our dreams at home? Why do we look elsewhere, and often far away, when we have everything under our feet?&#8221; Amine Ait Hammou wonders.<\/p>\n<p>In the same vein of reflection, he has conducted workshops with the American Cultural Center or with professional Moroccan actors. In particular, he questions the ideal of beauty: &#8220;Why are we all dressed in Western fashion, rather than wearing our traditional clothes, which are much more practical and comfortable?\u201d<\/p>\n<p>He organizes a fashion show with clothes recovered from thrift stores. He stages the participants who improvise as models for the game, for the pleasure of reinventing themselves. Mohamed Amine Ait Hammou, in his creations, borrows from his almost childlike curiosity, of seeming naivet\u00e9, behind which there is a deep reflection and an immense tenderness towards his contemporaries.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nora Ounnas Leroy talks to three Moroccan artists participating in a Montpellier incubator project through the Festival Arabesques.<\/p>\n","protected":false},"author":301,"featured_media":10365,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"footnotes":""},"categories":[4,29,51],"tags":[385,849,1161,1346,1695],"coauthors":[2082],"class_list":["post-10362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-photography","category-music-review","category-tmr-weekly","tag-casablanca","tag-incubator","tag-morocco","tag-performance-art","tag-theatre","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Two Ways to See Morocco from Across the Mediterranean - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Nora Ounnas Leroy talks to two Moroccan artists participating in a Montpellier incubator project 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