{"id":29076,"date":"2021-07-14T14:09:32","date_gmt":"2021-07-14T12:09:32","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?post_type=product&#038;p=29076"},"modified":"2025-09-05T12:26:57","modified_gmt":"2025-09-05T10:26:57","slug":"tmr-issue-11-gaza","status":"publish","type":"product","link":"https:\/\/themarkaz.org\/oldmarkaz\/product\/tmr-issue-11-gaza\/","title":{"rendered":"GAZA"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29078 alignleft\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-684x1024.jpg\" alt=\"\" width=\"535\" height=\"801\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-684x1024.jpg 684w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-600x899.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-200x300.jpg 200w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-768x1150.jpg 768w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_-1026x1536.jpg 1026w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-1-The-Markaz-Review-themarkaz.org_.jpg 1282w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/>TMR Issue 11 &#8211; July 2021 &#8211; 283 pages (Part I &#8211; 151 pages \/ Part II &#8211; 132 pages)<\/strong><\/p>\n<p class=\"p1\">When War is Just Another Name for Murder &#8211; Norman G. Finkelstein<\/p>\n<p class=\"p1\">Gazan Skies, from the novel &#8220;Out of It&#8221; &#8211; Selma Dabbagh<\/p>\n<p class=\"p1\">Gaza&#8217;s Shababek Gallery for Contemporary Art &#8211; Yara Chaalan<\/p>\n<p class=\"p1\">Malak Mattar \u2014 Artist and Survivor &#8211; Jordan Elgrably<\/p>\n<p class=\"p1\">The Gaza Mythologies &#8211; The Markaz Review &#8211; Ilan Pappe<\/p>\n<p class=\"p1\">&#8220;Sumud&#8221; \u2014 the Gazan Secret to Survival &#8211; Jordan Elgrably<\/p>\n<p class=\"p1\">The Semantics of Gaza, War and Truth &#8211; Mischa Geracoulis<\/p>\n<p class=\"p1\">No Exit &#8211; Allam Zedan<\/p>\n<p class=\"p1\">Gaza, You and Me &#8211; NG Mahfouz &amp; Abdallah Salha<\/p>\n<p class=\"p1\">Poem: Bombs Do Not Discriminate &#8211; Abdallah Salha<\/p>\n<p class=\"p1\">Alive in Gaza &#8211; The Markaz Review &#8211; Ramzy Baroud<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29079 alignleft\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-905x1024.jpg\" alt=\"\" width=\"535\" height=\"606\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-905x1024.jpg 905w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-600x679.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-265x300.jpg 265w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-768x869.jpg 768w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-1357x1536.jpg 1357w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-1568x1775.jpg 1568w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_-1320x1494.jpg 1320w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/10\/TMR-11-\u2022-GAZA-Archives-2-The-Markaz-Review-themarkaz.org_.jpg 1696w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/>Four Poems from Mosab Abu Toha &#8211; Mosab Abu Toha<\/p>\n<p class=\"p1\">Sailing to Gaza to Break the Siege &#8211; Greta Berlin<\/p>\n<p class=\"p1\">In Retrospect: An American Educator in Gaza &#8211; Diane Shammas<\/p>\n<p class=\"p1\">Open Gaza: Architectures of Hope &#8211; Hadani Ditmars<\/p>\n<p class=\"p1\">Gaza&#8217;s Catch-22s &#8211; The Markaz Review &#8211; Khaled Diab<\/p>\n<p class=\"p1\">Making a Film in Gaza &#8211; Elana Golden<\/p>\n<p class=\"p1\">Gaza IS Palestine &#8211; Jenine Abboushi<\/p>\n<p class=\"p1\">A Response to &#8220;Gaza: Mowing the Lawn&#8221; 2014-15 &#8211; Tony Litwinko<\/p>\n<p class=\"p1\">&#8220;Gaza: Mowing the Lawn&#8221; by Artist Jaime Scholnick &#8211; Sagi Refael<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Markaz Review published a special double issue devoted to Gaza when yet again, as with the current conflagration, in the summer of 2021, Israel pounded the Strip with bombs, attacking Hamas and wiping out civilians in the process. For our 11th monthly issue TMR features the work of the artist Jaime Scholnick and her series Gaza: Mowing the Lawn.<\/p>\n","protected":false},"author":331,"featured_media":30635,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[3209],"product_tag":[],"coauthors":[2196],"class_list":{"0":"post-29076","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-tmr-issues","7":"desktop-align-left","8":"tablet-align-left","9":"mobile-align-left","11":"first","12":"instock","13":"virtual","14":"purchasable","15":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.5 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>GAZA - The Markaz Review<\/title>\n<meta name=\"description\" content=\"In the summer of 2021, Gaza endured the third of four assaults in Israel&#039;s war against the Palestinians. TMR devoted a double issue to Gazan culture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/themarkaz.org\/oldmarkaz\/product\/tmr-issue-11-gaza\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GAZA\" \/>\n<meta property=\"og:description\" content=\"In the summer of 2021, Gaza endured the third of four assaults in Israel&#039;s war against the Palestinians. 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