{"id":37245,"date":"2025-06-06T10:21:09","date_gmt":"2025-06-06T08:21:09","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?p=37245"},"modified":"2025-06-06T10:21:09","modified_gmt":"2025-06-06T08:21:09","slug":"interview-joe-sacco-on-gaza","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldmarkaz\/interview-joe-sacco-on-gaza\/","title":{"rendered":"Interview: Joe Sacco on Gaza"},"content":{"rendered":"<h5><span style=\"font-weight: 400;\">Maltese American graphic artist <\/span><span style=\"font-weight: 400;\">Joe Sacco discusses the destruction of Gaza following his new book <\/span><i><span style=\"font-weight: 400;\">War on Gaza<\/span><\/i><span style=\"font-weight: 400;\">, drawing on his distinctive graphic storytelling to reflect on the dramatic developments in the Gaza Strip since October 7, 2023. First published as a column on <a href=\"https:\/\/www.tcj.com\/author\/joe-sacco\/\" target=\"_blank\" rel=\"noopener\">The Comics Journal<\/a>\u00a0website, the illustrations were released in book form by <a href=\"https:\/\/www.fantagraphics.com\/collections\/joe-sacco\/products\/war-on-gaza\" target=\"_blank\" rel=\"noopener\">Fantagraphics<\/a> in December.\u00a0<\/span><\/h5>\n<p>&nbsp;<\/p>\n<h4><span style=\"font-weight: 400;\">Elias Feroz<\/span><\/h4>\n<p>&nbsp;<\/p>\n<blockquote>\n<p style=\"padding-left: 80px;\"><b>For me, this is a war of annihilation against the Palestinians in Gaza.<\/b><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">After the Hamas attack on October 7, 2023, the cartoonist was deeply shocked and knew that Israel\u2019s response would be brutal. However, as he recounts, he could never have imagined the sheer scale of destruction. For Sacco, it is unequivocally clear that Israel\u2019s warfare in Gaza has reached genocidal proportions. When we spoke, he said, \u201cMore than 43,000 Palestinians in Gaza have already been killed, and many more are likely still buried under the rubble. Hospitals, schools, universities, and infrastructure \u2014 practically everything that makes a place livable \u2014 have been destroyed. For me, this is a war of annihilation against the Palestinians in Gaza.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sacco has been galvanized by war before, having researched and then drawn comics in response on World War I, the Vietnam War and Gaza 1956.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Blending critique with dark humor, the Maltese and American cartoonist\/journalist takes sharp aim at the U.S. government in <\/span><i><span style=\"font-weight: 400;\">War on Gaza<\/span><\/i><span style=\"font-weight: 400;\">, accusing the former Biden administration of complicity in the genocide. Known for his in-depth graphic reportage and previous work on Palestine, Sacco was forced to work from afar this time. \u201cLike other artists or writers, I see writing and drawing as a form of thinking \u2014 you start, and suddenly the ideas begin to flow,\u201d Sacco said. \u201cAt first, it was challenging because I don\u2019t particularly enjoy writing opinion pieces. I prefer reportage, but in this case, I had no other choice.\u201d Access to the Gaza Strip remains barred to international journalists, while the <\/span><a href=\"https:\/\/cpj.org\/full-coverage-israel-gaza-war\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Committee to Protect Journalists<\/span><\/a><span style=\"font-weight: 400;\"> reports that Israel has killed 187 Palestinian and Lebanese media workers, and imprisoned another 86, since the war began 19 months ago.<\/span><\/p>\n<h4><b>The Birth of Comic Journalism<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">It has been over 30 years since Sacco traveled to Palestine for the first time to report on the political situation there. At the time, his use of the comic medium for journalism was unconventional, and perhaps still is for many. The individual chapters of his first comic were also published by Fantagraphics in the 1990s, later compiled into a book titled <\/span><a href=\"https:\/\/www.fantagraphics.com\/collections\/joe-sacco\/products\/palestine-hardcover\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Palestine<\/span><\/i><\/a><span style=\"font-weight: 400;\">. This work is widely regarded as the birth of a new genre, so-called \u201ccomic journalism.\u201d The current war in Gaza has sparked renewed interest in Joe Sacco\u2019s graphic work, prompting Fantagraphics to release a new edition of <em>Palestine<\/em>, alongside the Swiss publisher Edition Moderne, which reissued the work in German under the title <\/span><i><span style=\"font-weight: 400;\">Pal\u00e4stina<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sacco\u2019s comics are characterized by clear yet dynamic line work, created in the traditional style with pencil, paper, and ink, just as he did when he first began. The process of finishing a book usually takes him years, reflecting his commitment to detailed, in-depth work. Not a single stroke seems randomly placed, giving the reader a precise sense of the surroundings in which the reporter finds himself, whether it\u2019s Jerusalem, Gaza, or Tel Aviv. \u201cI\u2019ve been drawing cartoons since I was a child, but I studied journalism. My original goal was to write newspaper reports,\u201d he recalls. However, after graduation, that plan didn\u2019t unfold as he had imagined. \u201cSince I didn\u2019t want to give up my passion for drawing, it was a natural process for me to convey my reports through the comic medium.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In his previous works, Sacco addressed themes that remain central to this day: the Israeli occupation, the destruction of Palestinian homes, detentions, and torture. These issues continue to be present in the reports of human rights organizations and on social media.<\/span><\/p>\n<hr \/>\n<div id='gallery-1' class='gallery galleryid-37245 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/War-on-Gaza-cover-st.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/War-on-Gaza-cover-st-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37285\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/War-on-Gaza-cover-st-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/War-on-Gaza-cover-st-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/War-on-Gaza-cover-st-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37285'>\n\t\t\t\tWar on Gaza is published by Fantagraphics.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Gaza-Was-Where-the-West-Went-to-Die.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Gaza-Was-Where-the-West-Went-to-Die-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37279\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Gaza-Was-Where-the-West-Went-to-Die-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Gaza-Was-Where-the-West-Went-to-Die-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Gaza-Was-Where-the-West-Went-to-Die-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37279'>\n\t\t\t\tGaza was where the West went to die&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Between-Biden-and-Trump.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Between-Biden-and-Trump-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37284\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Between-Biden-and-Trump-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Between-Biden-and-Trump-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Between-Biden-and-Trump-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37284'>\n\t\t\t\tBetween Biden and Trump&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Cover.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Cover-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37282\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Cover-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Cover-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Cover-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37282'>\n\t\t\t\tPalestine by Joe Sacco\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-146.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-146-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37283\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-146-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-146-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-146-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37283'>\n\t\t\t\tFrom Palestine p. 146\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-147.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-147-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37280\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-147-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-147-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-147-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37280'>\n\t\t\t\tFrom Palestine p. 147\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-158.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-158-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-37281\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-158-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-158-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Palestine-Page-158-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-37281'>\n\t\t\t\tFrom Palestine p. 158\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<h4><b>Gaza: Between History and Devastation<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In addition to his first graphic novel, <\/span><i><span style=\"font-weight: 400;\">Palestine<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">War on Gaza<\/span><\/i><span style=\"font-weight: 400;\">, Sacco released another comic book in which he journalistically explored the Israeli-Palestinian conflict. Between November 2002 and March 2003, he traveled to Gaza to learn more about the massacre in Khan Yunis on November 3, 1956, during which, according to UN reports, 275 Palestinian civilians were killed by Israeli forces. As part of this journey, he interviewed witnesses to the incident, which had occurred nearly 50 years earlier. This led to the publication of <\/span><i><span style=\"font-weight: 400;\">Footnotes in Gaza<\/span><\/i><span style=\"font-weight: 400;\"> in 2009.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sacco doesn\u2019t simply recount the reports of those he interviews; he compares them, highlights similarities and contradictions, and sheds light on the dangers of oral history. \u201cSometimes you hear things that you find troubling or that contradict each other, but it\u2019s important to report these things, nonetheless. You have to be honest about your reporting,\u201d Sacco notes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Both <\/span><i><span style=\"font-weight: 400;\">Palestine<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Footnotes in Gaza<\/span><\/i><span style=\"font-weight: 400;\"> are rich, multilayered works. The process of conducting research, carrying out and documenting interviews, and creating the comic itself is an extraordinarily intricate one. In his latest book, the once-familiar streets of Gaza \u2014 streets the journalist wandered through in the \u201890s and 2000s, vividly captured in his earlier graphic novels \u2014 are no longer present. Instead, they have been replaced by scenes of bomb craters and debris, for the Gaza Strip that the reporter once knew has been erased, replaced largely by rubble and devastation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sacco\u2019s conclusion in <\/span><i><span style=\"font-weight: 400;\">War on Gaza<\/span><\/i><span style=\"font-weight: 400;\"> is harsh. \u201cGaza was where the West went to die,\u201d he writes. The liberal enlightenment of the West is a fa\u00e7ade, a falsehood that became apparent the moment the pulverization of the Gaza Strip was almost universally accepted, and even acclaimed by some Hamas critics. Following the arrest of students protesting Israel\u2019s onslaught, calling for a ceasefire, Sacco concluded that western liberals cared neither about Jews nor Palestinians, as in the last months since the war started, many Jewish protesters around the world have also been detained for opposing the war. He powerfully covers these scenes in <em>War on Gaza<\/em>. The cartoonist shows that Jewish protesters are branded \u201cself-hating Jews\u201d for standing against the bloodshed in their name. At the heart of this failure, Sacco, says in our interview, is German memory culture, a concept the cartoonist, who once lived in Berlin, once held in high regard.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe narrative coming out of Germany is pathetic \u2014 morally reprehensible, all couched in terms of morality. That\u2019s the problem. When I was living in Berlin, I was always very impressed with how my friends would talk about the Nazi past. They would speak about it reflectively, with shame and disgust\u2026But that shouldn\u2019t lead to supporting the State of Israel no matter what it does. You\u2019ve got to look at Israel as a nation-state and judge its actions as a nation-state. I think Germany basically has its guilt, and it\u2019s using the Palestinians, in a way, as its penance \u2014 allowing this to happen to them and arming Israel to do this to the Palestinians. This is just wrong. It\u2019s just as bad as what\u2019s going on in America.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sacco shared that he continues working on projects focusing on Palestine, driven by the profound sense that there is still a vital need for such work. He spoke about his friend from Gaza, Abed, a fixer who assists journalists with logistical support, local knowledge, and connections, who managed to flee to Egypt. Abed, who played a key role in <\/span><i><span style=\"font-weight: 400;\">Footnotes in Gaza<\/span><\/i><span style=\"font-weight: 400;\">, is a reminder of the deep personal connections that shape Sacco\u2019s storytelling. Sacco was asked by his friend not to remain silent about the horrors unfolding in Gaza, a request that has become a powerful motivator for Sacco\u2019s continued commitment.<\/span><\/p>\n<hr \/>\n<figure id=\"attachment_37293\" aria-describedby=\"caption-attachment-37293\" style=\"width: 1275px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-37293\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm.jpg\" alt=\"The last panel in &quot;Never and Never Again...&quot; by Art Spiegelman and Joe Sacco (courtesy of the artists).\" width=\"1275\" height=\"965\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm.jpg 1275w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm-600x454.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm-300x227.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm-1024x775.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2025\/06\/Art-Spiegelman-and-Joe-Sacco-Last-panel-sm-768x581.jpg 768w\" sizes=\"auto, (max-width: 1275px) 100vw, 1275px\" \/><figcaption id=\"caption-attachment-37293\" class=\"wp-caption-text\">The last panel in &#8220;Never and Never Again&#8230;&#8221; by Art Spiegelman and Joe Sacco (courtesy of the artists).<\/figcaption><\/figure>\n<h4><b>\u201cNever Again and Again\u201d \u2013 A Collaboration with Art Spiegelman<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In the February 27th issue of the <\/span><a href=\"https:\/\/www.nybooks.com\/articles\/2025\/02\/27\/never-again-and-again-gaza-sacco-spiegelman\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">New York Review of Books<\/span><\/a><span style=\"font-weight: 400;\">, one will find a rare collaboration between Joe Sacco and Art Spiegelman, two of the most influential figures in political comics. Spiegelman, best known for <\/span><i><span style=\"font-weight: 400;\">Maus<\/span><\/i><span style=\"font-weight: 400;\">, the Pulitzer Prize-winning graphic memoir in which he recounts his father\u2019s survival of the Holocaust, has long used comics to explore questions of memory, trauma, and Jewish identity. Their joint comic, titled &#8220;Never Again and Again,&#8221; spans just three pages but delivers meditations of the two artists on the war on Gaza and on the meaning of the lessons of the Holocaust \u2014 a term Spiegelman openly rejects in the piece, noting that its Greek origin implies a form of sacrificial offering, rather than the systematic murder of millions, including members of his own family.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Both artists appear in the comic, rendered in their respective visual styles \u2014 Spiegelman as a mouse, just as he is also drawn in <\/span><i><span style=\"font-weight: 400;\">Maus<\/span><\/i><span style=\"font-weight: 400;\">, and Sacco in his familiar, self-drawn likeness. They stand amid the ruins of Gaza, a landscape of utter devastation. With characteristic irony, they suggest that it may take \u201cbigger brains\u201d than those of two cartoonists to find a just solution for Israel-Palestine. And yet, one lesson from the post-Holocaust \u2014 or rather, post-Shoah \u2014 era remains painfully clear. In the final panel, each of them holds a white flag, bearing the words \u201cNever Again&#8230;,\u201d the other \u201cFor Anyone!\u201d Hence, the pledge of \u201cNever Again\u201d is not only a call to remember and prevent the repetition of the Nazi genocide but a universal warning against all forms of mass violence and oppression.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joe Sacco uses his graphic storytelling in &#8220;War on Gaza&#8221; to reflect on the events in the Gaza Strip since October 7, 2023.<\/p>\n","protected":false},"author":662,"featured_media":37287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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