{"id":33291,"date":"2024-06-14T09:15:54","date_gmt":"2024-06-14T07:15:54","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?p=33291"},"modified":"2024-06-24T15:44:30","modified_gmt":"2024-06-24T13:44:30","slug":"is-amin-maaloufs-latest-novel-on-the-isle-of-antioch-a-parody","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldmarkaz\/is-amin-maaloufs-latest-novel-on-the-isle-of-antioch-a-parody\/","title":{"rendered":"Is Amin Maalouf’s Latest Novel, On the Isle of Antioch<\/em>, a Parody?"},"content":{"rendered":"

In which the reviewer questions whether, in this novel, the Franco-Lebanese master is at the height of his powers, or is having us on…<\/h4>\n

 <\/p>\n

On the Isle of Antioch<\/em>, a novel by Amin Maalouf
\nTranslated by Natasha Lehrer
\nWorld Editions<\/a> 2024
\nISBN 9781642861341<\/p>\n

 <\/p>\n

Farah-Silvana Kanaan<\/h4>\n

 <\/p>\n

When and under what circumstances one reads a book will undoubtedly color one\u2019s reading experience and overall receptiveness to it. Like many people these days, my mind is consumed with Gaza and, whether consciously or subconsciously, I couldn\u2019t help but look for parallels in the dystopian world created by Amin Maalouf in his latest novel. Ultimately, such parallels turn out to be the story\u2019s only enjoyable element, its near-yet-not-quite saving grace.<\/p>\n

\"Amin<\/a>
On the Isle of Antioch<\/em> is published by World Editions<\/a>.<\/figcaption><\/figure>\n

The premise of the epistolary On the Isle of Antioch<\/em> \u2014 related in the form of journal entries by the protagonist \u2014 is appealing. Who hasn\u2019t dreamed of moving to a tiny and sparsely populated island, spending all day writing or drawing and swimming in the sea, and getting drawn into a life-changing adventure, one that fundamentally changes how we see the world and our place in it? That\u2019s sort of what happens in On the Isle of Antioch<\/em>, which is set on a fictional French Atlantic Ocean island. (There is a real-world Strait of Antioch off the western coast of France. The strait is named after the city \u00ad\u2014 famed for its role in early Christian history \u2014 located in modern-day Turkey.)<\/p>\n

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Political cartoonist Alec Zander\u2019s lonely yet otherwise idyllic existence is rudely disturbed when he wakes up one morning to find all communication with the outside world cut off. Alec calls on his only neighbor, \u00c8ve, a disillusioned, alcoholic writer who penned a cult novel a decade earlier. She is unable to help but will figure prominently in the story. When the power is suddenly restored, a friend of Alec\u2019s who is close to the White House reveals to him that an advanced human race, the \u201cfriends of Empedocles,\u201d which evolved separately from ours centuries earlier, has staged an intervention to support our foundering humanity.<\/p>\n

Through daily journal entries, Alec then explores the repercussions of this information and how the world, those closest to him, and, most importantly, he himself, react to this development. Intriguing, no?<\/p>\n

Alas, the execution leaves much to be desired.<\/p>\n

Though ably translated (from the French) by Natasha Lehrer, the book is written with seemingly little respect for the reader, as though it were a homework assignment that Maalouf remembered half an hour before the submission deadline and then hurriedly cobbled together. The resulting superficiality is almost impossible to stomach \u2014 as is the banality of the prose. At one point, the protagonist describes the weather outside as \u201cthe sky was crying,\u201d a metaphor so rinsed out that my mind immediately conjured up the scene in the film Il Postino<\/em> (1994) in which the poet Pablo Neruda uses it to explain what a metaphor is to his postman.<\/p>\n

More importantly, the story is unconvincing despite its fascinating premise. It turns out that, even though the ultimate goal of the friends of Empedocles \u2014 who have named themselves after an ancient Greek philosopher \u2014 is to save their less evolved parallel kin, most people come to view them as an existential threat. Yet we find out relatively little about why this is the case, other than mindless hysteria. And we are treated to scenes between Alec and his neighbor that are riddled with clich\u00e9s. In fact, \u00c8ve is a stereotype at every turn. Particularly cringe-worthy is her reacting to the arrival of the friends of Empedocles like some excited little schoolgirl, in sharp contrast with the balanced and intellectual approach of the protagonist.<\/p>\n

I feel almost embarrassed to write all this. After all, where do I get the audacity to criticize the work of an author who has not only written 18 novels, but who last year became the new head of the prestigious 388-year-old Acad\u00e9mie Francaise? Yet it is precisely because the Franco-Lebanese Maalouf is a literary giant that one is left flabbergasted by the thinness of his latest work.<\/p>\n

To be sure, it\u2019s oddly satisfying to have our world be lectured by a far more evolved parallel species on exactly how broken it is. Considering our current state of affairs, and especially the fact that the most powerful country refuses to use its undeniable influence as a force for good \u2014 instead insisting on aiding and abetting a genocide \u2014 one can easily imagine the friends of Empedocles as the good guys in this scenario. They are the only characters in the story who prove to be interesting and even appealing. Perhaps this was the goal of the author \u2014 to illustrate how our species has lost its way and to give us a glimpse into how things could have worked out better. If only we had refused to let ourselves be guided by greed, by othering, by a sense of superiority. It\u2019s almost impossible not to place On the Isle of Antioch<\/em> in the current context: worldwide student uprisings in response to the Western-supported Israeli genocide of the Palestinian people. Yet this is not enough, in and of itself, to redeem the unconvincing story.<\/p>\n

The novel falls short of believably imparting any hope that we might correct our past mistakes and carve out a better path for ourselves. How could it, with the US president laughably presented as a beacon of integrity whose only goal seems to be to save the world, even at his own expense, and with the United States described as \u201ca nation which, in the last few decades, has emerged as the only superpower, and arguably the only civilization\u201d? Considering the actual state of the world, and the role of the US government in it, no level of suspension of disbelief is enough for the reader to willingly accept such a delusional conceit.<\/p>\n

At one point, Alec mulls over rumors that the friends of Empedocles have released massive levels of radioactivity with malicious intent, which in turn seems to temporarily unite a deeply divided humanity to fend off the threat. \u201cCould this be true?\u201d he muses. \u201cWas it possible that for once all the nations of the world had put aside their rivalries and longstanding suspicions of each other to come together to try and disarm these overlords who are seeking to subjugate them?\u201d<\/p>\n

One can hardly imagine a thinking person in our world entertaining such a pollyannish notion. We humans are far too opportunistic to unite in the face of adversity; many of us would collaborate with those overlords in return for some short-term gain!<\/p>\n

Of course, one should never assume that a writer necessarily agrees with his or her protagonist. But there remains the main issue with this novel, namely that the story is told in a lackluster way, with little conviction in the ideas it conveys. As for the dialogue, it ricochets between stilted and borderline ridiculous. Also, the way \u00c8ve is portrayed is so one-dimensional that it\u2019s disrespectful:<\/p>\n

\u00c8ve Saint-Gilles must have been beautiful once. In fact, I know she was, I\u2019ve seen old photos of her: glossy auburn hair, a voluptuous d\u00e9collet\u00e9, and a coquettish smile. But bitterness and alcohol have faded her looks prematurely. I\u2019m fifty-three but look, I\u2019m told\u2014flattery aside\u2014no more than forty-five, while she at thirty-seven looks closer to fifty. And yet her eyes, which you might imagine would be dull, continue to sparkle. If only she\u2019d brush her hair, color it, straighten her shoulders, and stick out her bust\u2014provocatively, generously, flirtatiously, whatever\u2014if only she\u2019d …<\/p>\n

For all his unsavory views regarding \u00c8ve\u2019s looks, Alec attributes prophetic powers to her, as her book The Future Doesn\u2019t Live Here Anymore<\/em> turns out to be a highly celebrated literary achievement by the friends of Empedocles. When he finally sits down to read the novel, her supposedly profound worldview boils down to the run-of-the-mill take that we\u2019re doomed and the observation that, although we think we are a superior species, we are in fact supremely self-destructive. Alec, however, is impressed. He reflects that all this \u201ccouldn\u2019t be seen with a naked eye when The Future Doesn\u2019t Live Here Anymore<\/em> came out a dozen years ago,\u201d which \u201cmight explain why it caused such a sensation at the time.\u201d<\/p>\n

That\u2019s it. \u00c8ve is a Cassandra-like figure whose prophecies \u2014 for all the controversy they aroused \u2014 were not sufficiently appreciated, let alone heeded.<\/p>\n

It\u2019s not just \u00c8ve who remains frustratingly one-dimensional; every character in the book is poorly fashioned. They are not remotely sympathetic, yet neither do they enjoy any picaresque qualities. Alec is in a class of his own. In addition to his aforementioned off-putting descriptions of \u00c8ve, Alec ostensibly belongs to a rare breed of narcissists who refer to themselves as such \u2014 which may be honest but is no less distasteful. Also, he seems to look down on anything or anyone non-Western (something that at times characterizes Maalouf himself, here and in other writings).[1]<\/a> His descriptions of the \u201cless advanced\u201d are so grotesque that I had to physically close the book on more than one occasion and shake my head to make sure I wasn\u2019t hallucinating: \u201cOne might argue that over the last few centuries many non-Western societies\u2014India, China, Japan, the Muslim East, sub-Saharan Africa\u2014have seen their medicine, and arguably all their traditional knowledge, fall into disrepute and then gradually be forgotten.\u201d<\/p>\n

What might account for all these shortcomings in On the Isle of Antioch<\/em>? Perhaps the novel is meant to be a scathing parody \u2014 of the world we live in, of the United States, of right-wing bloviating about Western civilization versus the barbaric rest, of comically badly written women and casual misogyny. If so, I would happily admit to having been bamboozled, and this entire review would be rendered moot. Maybe the book is some sort of joke played on us all by the author, or a ChatGPT experiment to show us that artificial intelligence remains hobbled by the lingering biases of those who program it. One can only hope.<\/p>\n

 <\/p>\n

[1]<\/a> Out of many examples, the following immediately springs to mind: \u201cAnyone who is fascinated, attracted, disturbed, horrified or intrigued by the Arab world is bound from time to time to ask himself certain questions. Why those veils, those chadors, those dreary beards, those calls for assassination? Why so many manifestations of conservatism and violence? Are all these things inherent in such societies, in their culture and religion? Is Islam incom\u00adpatible with liberty, democracy, the rights of man and of woman, with modernity itself? Such questions are quite natural.\u201d This is one of several such passages in Maalouf\u2019s In the Name of Identity<\/em>: Violence and the Need to Belong <\/em>(1998). Similar examples can be found in his Disordered World: Setting a New Course for the Twenty-first Century<\/em> (2011).<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Farah-Silvana Kanan questions whether, in this novel, the Franco-Lebanese master is at the height of his powers, or is having us 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