{"id":29348,"date":"2023-11-05T13:03:55","date_gmt":"2023-11-05T11:03:55","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?p=29348"},"modified":"2023-11-05T13:03:55","modified_gmt":"2023-11-05T11:03:55","slug":"sustainability-rethinking-the-city-in-the-united-arab-emirates","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldmarkaz\/sustainability-rethinking-the-city-in-the-united-arab-emirates\/","title":{"rendered":"Sustainability: Rethinking the City in the United Arab Emirates"},"content":{"rendered":"<h5><span style=\"font-weight: 400;\">Many interventions are rooted in the city, and so there is no getting away from trying to understand the urban environment, the history behind how the existing buildings have evolved and how the city sprawled its way from the waterside towards the mainland. In the UAE, a<\/span><span style=\"font-weight: 400;\">rchitecture and design are two fields that have received prominent attention, with a focus on designing energy-efficient, sustainable buildings that reduce carbon emissions and promote the use of renewable energy sources.<\/span><\/h5>\n<p>&nbsp;<\/p>\n<h4>Rana Asfour<\/h4>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The most often quoted definition for sustainability comes from the UN World Commission on Environment and Development:\u00a0\u201csustainable development is development that meets the needs of the present without compromising the ability of future generations to meet their own needs.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sustainability presumes that resources are finite and should be used\u00a0conservatively and wisely, with a view to long-term priorities and consequences of the\u00a0ways in which resources are deployed. Therefore sustainable practices are those which support long-term health and\u00a0vitality on the ecological, human, and economic levels. In the simplest terms, sustainability is about our children and our grandchildren, and the world they will inherit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Figures show that in 1960, Dubai had 40,000 residents, a population that has now risen to just over 3.3 million, a time of exponential growth during which the city has implemented seven versions of its Urban Master Plan. The latest version, \u201cDubai 2040,\u201d encourages use of mass transit, walking and cycling, doubles the land allotted to green and recreational spaces, and preserves 60% of the total area of the Emirate as nature reserves. Thanks to increased wealth, desalination has partly greened the urban landscape, and air conditioning has not only changed the lives of those who live in the country but has invited year-round tourism.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ask any Emirati and they will argue that sustainability in the UAE has always been a way of life, whether through the design of the urban alleyways and walkways, compacted walls of the houses, or through the smaller courtyards, always well-shaded, where family members usually gather. This has meant that, over the years, urban architecture seemed to organically organize itself and adapt in ways that allowed people to live in harmony with an environment characterized by mild, warm winters and excruciatingly hot summers, where high temperatures and oppressive humidity build for months, unrelieved by rain.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-29348 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/9.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/9-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29507\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/9-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/9-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/9-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29507'>\n\t\t\t\t9.\tFormafantasma, Still from \u201cCambio &#8211; Seeing the Wood for the Trees\u201d (2020-2023).\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29510\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/1-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/1-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29510'>\n\t\t\t\t1.\tMarina Tabassum, Inheriting Wetness, SAT01: Rights of Future Generations. Photo: Antoine Espinasseau (courtesy of Sharjah Architecture Triennial). \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29506\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/2-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/2-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29506'>\n\t\t\t\t2.\tall(zone), Set the Controls for the Heart of the Sun. SAT01: Rights of Future Generations. Photo: Marco Cappelletti (courtesy of Sharjah Architecture Triennial). \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/5.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29505\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/5-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/5-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29505'>\n\t\t\t\t5.\tAl Manakh Spaces Initiative, Co-Design Workshop and Event. Photo: Ahmed Osama (courtesy of Sharjah Architecture Triennial). \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/7.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29503\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/7-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/7-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/7-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29503'>\n\t\t\t\t7.\tGeorge Arbid Exhibition. Photo: Ahmed Osama (courtesy Sharjah Architecture Triennial). \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/8.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/8-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29504\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/8-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/8-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/8-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29504'>\n\t\t\t\t8.\tCollab &#8211; Henry Glogau &#038; Aleksander Kongshaug, Render of Resource Autonomy (photo courtesy Henry Glogau).\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/11.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/11-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-29508\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/11-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/11-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/11-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-29508'>\n\t\t\t\t11.\tPlacement of wooden structural roof &#8211; &#8220;La Balsanera &#8211; Floating Productive House&#8221; (courtesy \u00a9 Natura Futura).\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><span style=\"font-weight: 400;\">Though the UAE is on the verge of its 52<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> birthday, \u201cIt wasn\u2019t long ago that the camel was not only a means of transportation, but a source of hide, milk, and on very rare and special occasions, meat,\u201d said Hareth Al Bustani, an Emirati-Briton and the Arts &amp; Culture Editor at The National newspaper. \u201cAnd from the date palm, people harvested not only the fruit, but also the materials for building, and for crafts. Emirati homes, up until not too long ago, were traditionally built around the climate through the use of the Barjeel Windtowers in the courtyards, which are designed to funnel the cool air through the buildings.\u201d These remarks were given during the opening session of a recent one-day conference held in Abu Dhabi, under the title \u201cScience for Sustainability\u201d \u2014 only one of a multitude of conversations taking place within the UAE, as the country counts down to the final weeks before its landmark date on November 30<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\">, when world leaders will come together for <\/span><a href=\"https:\/\/www.cop28.com\/\"><span style=\"font-weight: 400;\">COP28<\/span><\/a><span style=\"font-weight: 400;\">, with a view<\/span><span style=\"font-weight: 400;\"> to uniting the world on bold, practical and ambitious solutions to the pressing problem of global climate change.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Architecture and design are two fields that have received prominent attention, with a focus on designing energy-efficient, sustainable buildings that reduce carbon emissions and promote the use of renewable energy sources.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen we talk about sustainable architecture, we are not just limited to the environment, although it is a huge consideration given the UAE is situated in one of the world\u2019s harshest climates,\u201d says Farid Esmaeil, founding partner and principal architect of X Architects, a leading architecture and urban design practice in Dubai, known for translating Arabic and Islamic culture into contemporary designs with sustainable solutions. Part of a panel at the same conference, Esmaeil discussed the layers to consider before any architectural structures can be built, like culture, heritage, the social life around a building, and lastly, the economy. \u201cOnce we\u2019re sure these criteria have been met,\u201d he said, \u201cthe direction nowadays is towards constructing buildings that are contextual, adaptive, and responsive. We want to bring in modernity and be progressive and to build within today\u2019s latest technologies, but at the same time we want to learn from our heritage and make sure that what we\u2019re designing ensures a balance between past and present.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Culture and cultural heritage can help to achieve inclusive and sustainable development; yet preserving rich cultural heritage while striving for a sustainable future presents a unique set of challenges for heritage sites. \u201cWe need to pause and reflect on what has been built so far, and question how we can make sure that before whatever building we plan from now on, we\u2019ve made sure to exhaust every alternative before we transform land into a new piece of building,\u2019 said Lina Ahmed, Associate Professor and Chair of Design at Zayed University, speaking on a panel in Abu Dhabi titled \u201cSustainable Education in an Urban World.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In rapidly developing urban environments like the UAE, sustainability seems to take on a different urgency, requiring educators and urban planners to come up with unique tailor-made safeguards and measures to define a new contemporary Emirati sustainable community. As a new urban habitat that comes coupled with a new urban lifestyle in which social and technological change is almost constant, the standards of traditional pre-industrialization urban development, when speed and scale were not so paramount, now appear obsolete. This means that the transformation of UAE cities to Net Zero cities specifically, at a time where the populations of the cities are continuously increasing, and climate change is worsening \u2014 even as you read these words \u2014 will have to be approached in a manner that is different to any societal change that has ever been done before.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Globally speaking, there has been a fundamental change to the energy infrastructure of civilization: both where the world gets the energy from, and how it will be used. And it\u2019s a switch that\u2019s proving to be expensive \u2014 in 2021 Dubai announced a net zero investment of Dh600 billion (US$160 billion) in clean and renewable energy sources to be spent over the next three decades. \u201cThe transformation will be a technological, economic and social one \u2026 And yet, [despite all the challenges], we are also saying that the Net Zero transformation is too urgent to wait for a gradual, emergent transition; we cannot wait for it to develop at its own pace,\u201d writes Farah Naz, Regional Head of Innovation in ESP for the Middle East and Africa, AECOM in her most recent publication <\/span><i><span style=\"font-weight: 400;\">Net Zero City:<\/span><\/i> <i><span style=\"font-weight: 400;\">The Ten Year Transformation Plan: How to Overcome the Climate Crisis by 2032\u00a0<\/span><\/i><span style=\"font-weight: 400;\"> (Langdon Morris, 2021).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhile many have resisted the need to abandon fossil fuels since to them it means sacrifice,\u201d adds Farah Naz, \u201cin fact the necessity to innovate on this scale, across the entirety of human society, is a very gift \u2026 the climate emergency actually offers us the chance to remake critical aspects of our society to be much better than they ever were during the fossil fuel era.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAnd this transformation will be led by our cities. Cities are the unique milieu where civilization was created, and today they are the innovation catalysts where the transition to a new and sustainable society will emerge to change the world\u2026 so perhaps it is our ability to innovate that will largely determine our fate. Innovate well and we can survive and thrive; fail to innovate and we are doomed to prolonged suffering and decline.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">According to Naz, current trends suggest that by 2100 about 95% of the total human population of perhaps 8 billion will be living in some sort of urban setting. And so, \u201cwe must design and engineer this transition, and make it happen on a time scale that is exceptionally fast,\u201d she insists. \u201cFirst, we need an urban system framework that enables us to understand and manage the broad complexity of the Net Zero Transformation challenge; we need a general Theory of Social Change to guide us through the very challenging process of changing ourselves, the city and civilization; we require a new definition of Action Practices and Examples that show us what we need to do, and finally a Transformation Roadmap that shows us how to proceed, step by step.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Change can be frightening and rapid change even more so. But change is inevitable. Therefore, engaging with the public in thinking about the future and co-creating the community that people want to live in has proven to be a very effective change management strategy.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAn excellent example of this sort of public engagement is the Dubai Museum of the Future,\u201d writes Naz. The museum, which opened its doors in 2022, boasts a goal of inspiring and empowering people to positively shape humanity\u2019s next chapter. It \u201ctakes a proactive stance toward understanding what the future may hold, and thereby becomes a significant resource for the UAE, as well as the broader global community,\u201d Naz argues.<\/span><\/p>\n<figure id=\"attachment_29509\" aria-describedby=\"caption-attachment-29509\" style=\"width: 999px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29509\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12.jpg\" alt=\"12.DAAR, Rendering of wrapped building in Al Madam (courtesy Herman Hjorth Berge).\" width=\"999\" height=\"666\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12.jpg 1400w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12-600x400.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12-300x200.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12-1024x682.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12-768x512.jpg 768w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/11\/12-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 999px) 100vw, 999px\" \/><figcaption id=\"caption-attachment-29509\" class=\"wp-caption-text\">DAAR, Rendering of wrapped building in Al Madam (courtesy Herman Hjorth Berge).<\/figcaption><\/figure>\n<h4>Sharjah Architectural Triennial: The Beauty of Impermanence<\/h4>\n<p><span style=\"font-weight: 400;\">The Sharjah Architectural Foundation was founded in 2018, and intended to be a regional platform for architecture and urbanism, with the decision made to extend its reach into West Asia, South Asia and the African continent because of these geographies\u2019 historical commercial and cultural exchanges with the UAE.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe interest was to invite cultural conversation between multiple stakeholders because we believed that the concept of architecture should be broadened beyond a concept of building to include the professional bodies, academia and the general public, in order to create a conversation around urbanism and architecture with regards to their social implications,\u201d said Mona El Mousfy, the Architecture Consultant for the Sharjah Art Foundation since 2005, on a call with TMR. \u201cIn our programming we focus on international topics that have a local resonance, or local and regional investigations and experiences that can have a real pertinence to current local debates on architecture. This is particularly evident in the upcoming second edition of the Sharjah Architectural Triennial in November in which the relationship between social and environmental sustainability has never been more intimately related.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe Beauty of Impermanence: An Architecture of Adaptability,\u201d which runs from November 11, 2023 to March 10, 2024 is curated by Tosin Oshinowo, a Lagos-based Nigerian architect and designer, creative entrepreneur, public speaker and founder of cmDesign Atelier.\u00a0 The exhibition\u2019s theme refers to how issues of scarcity in the Global South have created a culture of re-use, re-appropriation, innovation, collaboration and adaptation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Renowned for her expansive residential and commercial spaces and insights into socially-responsive approaches to urbanism, Oshinowo views this edition of the Triennial as a continuation from where curator <\/span><a href=\"https:\/\/sharjahart.org\/sharjah-art-foundation\/people\/lahoud-adrian\"><span style=\"font-weight: 400;\">Adrian Lahoud\u2019s<\/span><\/a><span style=\"font-weight: 400;\"> first edition left off three years ago in which he was committed to \u201cradically rethinking fundamental questions about architecture and its effect on the climate, whereby the existence of a North\/South divide has directly influenced the challenges and exacerbated the situation we find ourselves in climatically,\u201d said Oshinowo.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To enrich her curatorial vision for 2023, Oshinowo insisted on putting together a curatorial <\/span><a href=\"about:blank\"><span style=\"font-weight: 400;\">advisory board<\/span><\/a><span style=\"font-weight: 400;\"> of international architects, artists and designers, headed by Hoor Al Qasimi, President of Sharjah Architecture Triennial and President &amp; Director of Sharjah Art Foundation. \u201cThe Beauty of Impermanence and Architecture of Adaptability\u201d predominantly looks at those design and building innovations brought about by conditions of scarcity that tend to still exist within the Global South. It is a type of architecture that utilizes lessons learned from previous traditions and ways of doing things.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe reason this is important as a phenomenon, is because if you look at several countries within the global south, working within limitations, whether out of choice or not, the austere circumstances certainly appear to have allowed people in these locations to become more innovative, and I find this a very interesting point,\u201d says Oshinowo<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn pre-industrialization days, building shelter was more in tune with the surrounding ecology, and yet we find that despite the convenience we enjoy thanks to progress and modernity, there\u2019s been a massive compromise. When we start to look at some of the solutions on show at the Triennial, especially those coming from locations that have always had to work with limitations, they tend to be in better balance with the environment. Seeing all this helps us to question what really has been the cost of what we consider as modernism and prosperity and the convenience it has afforded us, from air conditioning to plastic to uber clinical surfaces that are so far-removed from how we used to live pre-industry when we were in better balance with the environment. When we think of the reality of austerity and planetary scarcity because of how we\u2019ve taken an unhealthy run at our resources, it should force us to consider the lessons that we can learn from some of the solutions on exhibit that have so eloquently created balance within an ecology of scarcity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe are dealing with a world now where we are all, ironically, dealing with some level of austerity \u2014 especially exacerbated by wars and Covid \u2014 in which a pause becomes necessary to reflect and think about how we can approach things differently, and what lessons we can learn from this region that has been conditioned to believe that the solution to its problems can only come from the North. Rarely has there been a conscious study undertaken to understand all these places that are still able to exist in modernity despite being seemingly stuck in pre-industrialization conditions. The purpose of the Triennial is to find solutions that offer a balance between modernity and tradition in an optimistic and hopeful way.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As the 31 artists began sending in their works, Oshinowo noticed three emerging strands that approached the concept of developing the urban environment.<\/span> <span style=\"font-weight: 400;\">All solutions on exhibit aim to shift global conversations towards creating a more sustainable, resilient, and equitable future.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThe first strand was contextual, which is looking at practices that were balancing this idea of tradition with modernity in an eloquent way that strove to reduce the negative impacts of modernity. These participants tend to work within the environment contextually, while also considering opportunities for upcycling and recycling. The second strand we came across was extraction politics, which are practices consciously aware of the tensions between the economics of city development and balancing that with the surrounding ecology. The third strand centered on intangible bodies, in which practitioners are very much about the ephemeral: empathy, soulfulness and humanity.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The exhibition is designed around the exploration of space, materials, social sustainability and the importance of putting people at the center of the built environment with equal regard to the ecology.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI am very excited for people to see the urban bird nest by MOE+ Art Architecture (MOE+AA) (Nigeria) installed in the industrial area of Sharjah, designed as a pavilion to encourage wildlife to consider it a home. Another installation will be housed in Sharjah\u2019s former slaughterhouse, a building the foundation is using as an adaptive re-use for the exhibition in which these artists bring to the fore the idea of consumption in relation to ecology and again question the balance that we\u2019ve veered off from. Sumaya Dabbagh, from Saudi Arabia, will examine the relationship between memory and materiality through an installation made from mud, celebrating the universal qualities of a material that conveys the cycle of life and death, growth and decay and \u00a0<\/span><a href=\"https:\/\/www.archdaily.com\/office\/natura-futura-arquitectura\"><span style=\"font-weight: 400;\">Natura Futura\u00a0<\/span><\/a><span style=\"font-weight: 400;\">(Ecuador) will present community-based design solutions, showcasing a floating housing community project in Babahoyo River that was built during the planning and production of the Triennial.\u201d Additionally,\u00a0<\/span><a href=\"https:\/\/adrianpepe.com\/?utm_medium=website&amp;utm_source=archdaily.com\"><span style=\"font-weight: 400;\">Adrian Pepe<\/span><\/a><span style=\"font-weight: 400;\">, a fiber artist, will study the beginnings and evolution of shelter by contrasting modernity and tradition, providing insights into the historical and present narratives that emerge when industrial capitalism and nomadic independence are combined.\u00a0To coincide with the opening, a new publication entitled <\/span><i><span style=\"font-weight: 400;\">Field Notes: On Scarcity<\/span><\/i><span style=\"font-weight: 400;\"> will be launched reflecting on the various concepts explored and presented within the Triennial.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Examining the history of a city\u2019s existence, and trying to understand the role that the economics and politics of location have played in its evolution helps to explain why some things are the way they are. Many interventions are rooted in the city, and so there is no getting away from trying to understand the urban environment, the history behind how the existing buildings have evolved and how the city sprawled its way from the waterside towards the mainland. It is also crucial to consider the relationship between the different communities that exist within a certain space.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen I first came to Sharjah, I was fascinated by this idea of civic status,\u201d said Oshinowo. \u201cSo much about generational wealth is about leaving things for children, planning and structuring and being rooted to something. I find there is too much emphasis on having a permanent civic status and having groundings in a location, but the irony is that we don\u2019t take any of it with us when we die. I think that, sadly, our modern world is too heavily invested in permanence. If we acknowledge that we are not here forever, I think we would be more respectful of our open environment and our landscape as a whole. There is something really beautiful about not trying to hold onto things much. And if we take this as a reality and a mindset, how beautifully balanced things could really be!\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>Further Reading:<\/h4>\n<p><a href=\"https:\/\/medinapublishing.com\/__trashed\/\" target=\"_blank\" rel=\"noopener\"><i>Windtower: The Merchant Houses of Dubai<\/i><\/a> by Peter Jackson and Anne Coles, Medina Publishing, 2023. <i><span style=\"font-weight: 400;\">Windtower <\/span><\/i><span style=\"font-weight: 400;\">offers a unique insight into a past way of life, and the culture and history of the city of Dubai. This new and extended edition celebrates the 50<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> anniversary of the formation of the United Arab Emirates, providing more information on the role played by the merchant community and its contributions to Dubai\u2019s success in trade and commerce. It also considers the lessons that might be learned from Dubai\u2019s windtowers and traditional built forms, at a time of global warming and climate crisis, and how these lessons might benefit contemporary urban design.<\/span><\/p>\n<p><em><a href=\"https:\/\/netzerocitybook.com\/\" target=\"_blank\" rel=\"noopener\">Net Zero City: How to Overcome the Climate Crisis<\/a> by 2032<\/em> by Langdon Morris and Farah Naz, Langdon Morris, 2023. <span style=\"font-weight: 400;\">This book provides a detailed analysis of the steps necessary for any city to attain Net Zero.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rana Asfour on the UAE&#8217;s intervention solutions for energy-efficient, sustainable buildings rooted in the city.<\/p>\n","protected":false},"author":14,"featured_media":29511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2656,12,3147],"tags":[2696,425,549,3163,2657,1797],"article-category":[],"article-type":[],"coauthors":[2107],"class_list":["post-29348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-essay","category-tmr-36-architecture","tag-city-life","tag-climate-change","tag-ecology","tag-sharjah-architectural-triennial","tag-sustainability","tag-water-scarcity"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.5 (Yoast SEO v27.3) - 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