{"id":27291,"date":"2023-07-10T08:27:37","date_gmt":"2023-07-10T06:27:37","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?p=27291"},"modified":"2023-07-10T15:47:54","modified_gmt":"2023-07-10T13:47:54","slug":"reviving-the-nay-tradition-in-jordan","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldmarkaz\/reviving-the-nay-tradition-in-jordan\/","title":{"rendered":"Reviving the Nay Tradition in Jordan"},"content":{"rendered":"<p style=\"padding-left: 80px;\">Give to me the reed (nay) and sing thou!<br \/>\nForget all the cures and ills.<br \/>\nMankind is like verses written<br \/>\nUpon the surface of the rills.<\/p>\n<p style=\"padding-left: 80px;\">\u2014Gibran Khalil Gibran, <em>The Procession<\/em><\/p>\n<p>&nbsp;<\/p>\n<h4>Reem Halasa<\/h4>\n<p>&nbsp;<\/p>\n<p>There\u2019s a tune that calls to the heart, that speaks to the yearning and sorrow of the soul. It comes from the reed flute, or nay (also ney). In Arabic the word \u201cAneen,\u201d or moaning, is often used to describe the mesmerizing nay-created tune that unites the human spirit with both nature and the divine.<\/p>\n<p>The nay is among the oldest wind instruments known to civilization, and it is deeply woven into Middle Eastern popular culture and musical heritage. But with past colonial influences and contemporary Western cultural hegemony, our societies are losing their connection to this rich heritage, and traditions such as folk music are losing their hold and disappearing from our consciousness.<\/p>\n<p>Rabee\u2019 Zureikat is on a mission to restore severed links to the Arab past and revive our musical heritage for future generations. Fueled by his infatuation with the music of the nay, he wanted to learn to play this instrument, but his journey proved more arduous than it had to be.<\/p>\n<div class=\"ose-youtube ose-uid-ad15e9b77efa4d85e99ab509d876e068 ose-embedpress-responsive\" style=\"width:600px; height:550px; max-height:550px; max-width:100%; display:inline-block;\" data-embed-type=\"Youtube\"><iframe loading=\"lazy\" allowFullScreen=\"true\" title=\"The Art of the Arabian Flute\" width=\"600\" height=\"550\" src=\"https:\/\/www.youtube.com\/embed\/zpyLDwgst6Q?feature=oembed&color=red&rel=0&controls=1&start=&end=&fs=0&iv_load_policy=0&autoplay=0&mute=0&modestbranding=0&cc_load_policy=1&playsinline=1\" frameborder=\"0\" allow=\"accelerometer; encrypted-media;accelerometer;autoplay;clipboard-write;gyroscope;picture-in-picture clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>In 2016, Zureikat embarked on a quest to acquire a nay. He searched everywhere in his native Jordan but came up empty-handed. At that time, Jordan had only a handful of nay players. Eventually, he ordered the instrument from Syria. Zureikat was perplexed but his quest didn\u2019t end there. \u201cI couldn\u2019t believe that an instrument ingrained in our heritage and made of natural resources from our land was nowhere to be found.\u201d<\/p>\n<p>His ordeal ignited his drive to learn to handcraft the nay and not just learn how to play it. \u201cOur ancestors used to make their own instruments, so surely we have the materials in our natural environment,\u201d says Zureikat of his thinking at the time.<\/p>\n<p>He knew that the hollow reed, which is used in crafting the nay, was historically native to the Jordan Valley. So, he went on a journey to find the right hollow reed to use in his craft. For months, he experimented with a variety of reeds in a small workshop in Amman. Through trial and error, he eventually mastered the art of making a finely tuned nay. Zureikat took his newfound passion across Jordan, sharing his skills with young people from different communities in hands-on workshops on how to fashion a nay from local resources, and teaching them the basics of playing their new instrument.<\/p>\n<p>Through his work with marginalized communities, he noticed that children often miss out on the cultural and musical experiences to which their counterparts of higher economic status are accustomed. His workshops offered members of these communities a way to enrich their daily lives with music.<\/p>\n<div id='gallery-1' class='gallery galleryid-27291 gallery-columns-1 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/local-jordanian-women-making-the-traditional-nay-at-Beit-al-nai-amman.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/local-jordanian-women-making-the-traditional-nay-at-Beit-al-nai-amman-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/local-jordanian-women-making-the-traditional-nay-at-Beit-al-nai-amman-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/local-jordanian-women-making-the-traditional-nay-at-Beit-al-nai-amman-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/local-jordanian-women-making-the-traditional-nay-at-Beit-al-nai-amman-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/creating-a-nay.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/creating-a-nay-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/creating-a-nay-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/creating-a-nay-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/creating-a-nay-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/jordanians-at-beit-al-nai-in-amman-working-on-traditional-flute-craft.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/jordanians-at-beit-al-nai-in-amman-working-on-traditional-flute-craft-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/jordanians-at-beit-al-nai-in-amman-working-on-traditional-flute-craft-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/jordanians-at-beit-al-nai-in-amman-working-on-traditional-flute-craft-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/jordanians-at-beit-al-nai-in-amman-working-on-traditional-flute-craft-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-at-bait-al-nai.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-at-bait-al-nai-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-at-bait-al-nai-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-at-bait-al-nai-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-at-bait-al-nai-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraikat-at-beit-al-nai-with-kids-and-ados.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraikat-at-beit-al-nai-with-kids-and-ados-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraikat-at-beit-al-nai-with-kids-and-ados-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraikat-at-beit-al-nai-with-kids-and-ados-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraikat-at-beit-al-nai-with-kids-and-ados-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraiket-right-with-azer-hasanli.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraiket-right-with-azer-hasanli-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraiket-right-with-azer-hasanli-150x150.jpg 150w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraiket-right-with-azer-hasanli-300x300.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zuraiket-right-with-azer-hasanli-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>\u201cI wanted to teach children how to craft their own nay with resources from their environment at the lowest costs,\u201d says Zureikat. These raw materials can be hollow reed, or a more accessible plastic piping with the right diameter. Before concluding a workshop, he would leave the community simple tools to practice the craft.<\/p>\n<p>Now his students are becoming the teachers; they continue his mission and teach others in their communities how to make and play the instrument. \u201cNew generations are learning our music heritage and the old songs their ancestors used to sing on different occasions,\u201d Zureikat says.<\/p>\n<p>In 2017, he co-founded Bait Al Nai (House of Nay) with fellow nay enthusiasts Laith Suleiman, Serene Huleileh, and Raed Asfour in Jabal Al-Weibdeh \u2014 one of Amman\u2019s oldest neighborhoods and a well-known hub for arts and culture. Bait Al Nai quickly became a cultural fixture.<\/p>\n<figure id=\"attachment_27312\" aria-describedby=\"caption-attachment-27312\" style=\"width: 500px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27312\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-in-the-beit-al-nai-workshop.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-in-the-beit-al-nai-workshop.jpg 960w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-in-the-beit-al-nai-workshop-600x400.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-in-the-beit-al-nai-workshop-300x200.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2023\/07\/rabee-zureikat-in-the-beit-al-nai-workshop-768x512.jpg 768w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption id=\"caption-attachment-27312\" class=\"wp-caption-text\">Rabee&#8217; Zureikat in the Bait al Nai workshop.<\/figcaption><\/figure>\n<p>Zureikat and his colleagues are dedicated to bringing the public closer to the experience of nay music by teaching people how to play the instrument itself, and even how to craft it on their own. Bait Al Nai became the meeting point of people who are passionate about traditional music and the nay instrument, a place where they can enjoy musical evenings and collaborations with local and regional musicians.<\/p>\n<p>With a modest workshop and a handful of tools, Bait Al Nai produces finely handcrafted reed flutes, and these instruments are bringing joy to people around the world.<\/p>\n<p>The nay is dubbed the \u201cmother of all wind instruments,\u201d as it goes back at least 4,500 years. In the Great Pyramids of Giza, there are depictions of musicians playing the nay, as it was an important instrument used in religious ceremonies and social celebrations. Excavations in the ancient Sumerian city of Ur (southern Iraq) have revealed curious-looking flutes made of bones of large birds.<\/p>\n<p>In Sufi tradition, the nay is an important instrument. It is said that it speaks to humankind\u2019s love for and longing to be with God, and its soulful tune often accompanies lamentations about being separated from the divine. The nay is mentioned in Sufi literature and poetry; a great example is \u201cMasnavi\u201d by the Sufi master Jalaluddin Rumi; \u201cMasnavi\u201d opens with the words \u201cBi\u015fnev ez ney,\u201d Persian for \u201clisten to the nay.\u201d\u00a0 The major theme of the poem is separation from a place or from the divine. \u201cListen to the nay, how it complains and tells the tales of separation pains.\u201d<em>\u00a0<\/em><\/p>\n<p>In more recent Levantine literature, the nay is mentioned in popular poetry, such as in Gibran Khalil Gibran\u2019s book <em>The Procession<\/em>, with a repeating stanza beginning with \u201cGive to me the nay and sing.\u201d The poem became popular when the Lebanese singer Fairouz sang it in the 1970s, and it has ingrained itself in the minds of generations.<\/p>\n<p>Music is influenced by the natural environment and cultural identity of the people, and the traditional nay played a major role in popular Arabic music; great musicians used it at times for an introductory tune to their ballads, one that would create a soulful experience.<\/p>\n<p>Among the modern nay masters beyond Jordan are Turkish world music star <a href=\"https:\/\/www.youtube.com\/watch?v=87f4QghIZRc&amp;ab_channel=mesutg%C3%BCrb%C3%BCz\" target=\"_blank\" rel=\"noopener\">Omar Faruk Tekbilek<\/a>, Lebanese maestro <a href=\"https:\/\/www.youtube.com\/watch?v=Aqk0LS1YRUE&amp;ab_channel=uhza\" target=\"_blank\" rel=\"noopener\">Ali Jihad Racy<\/a>, and Iran&#8217;s revered <a href=\"https:\/\/www.youtube.com\/watch?v=EjTWxjdBm5I&amp;list=PL55CFEDFAE61B2416&amp;ab_channel=persianmusictube\" target=\"_blank\" rel=\"noopener\">Mohammad Musavi<\/a>.<\/p>\n<div class=\"ose-youtube ose-uid-4879ef7c910c3719e158236c38613814 ose-embedpress-responsive\" style=\"width:600px; height:550px; max-height:550px; max-width:100%; display:inline-block;\" data-embed-type=\"Youtube\"><iframe loading=\"lazy\" allowFullScreen=\"true\" title=\"MINUTE 104 - RABEE ZUREIKAT\" width=\"600\" height=\"550\" src=\"https:\/\/www.youtube.com\/embed\/DEW2Q0weFx8?feature=oembed&color=red&rel=0&controls=1&start=&end=&fs=0&iv_load_policy=0&autoplay=0&mute=0&modestbranding=0&cc_load_policy=1&playsinline=1\" frameborder=\"0\" allow=\"accelerometer; encrypted-media;accelerometer;autoplay;clipboard-write;gyroscope;picture-in-picture clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>The humble nay was always the instrument of the common man, a storytelling tool of tales of strife, loneliness, love, betrayal, remorse, and separation. It has been used by farmers in the fields, shepherds in the pastures, and folk musicians performing at communal celebrations.<\/p>\n<p>Zureikat believes music is meant to be celebratory, an instinctive expression that transcends rules and music sheets. \u201cThe beauty of folk music is that it is inclusive; it brings the community together and anyone can participate and express themselves without judgment,\u201d he says.<\/p>\n<p>Bait Al Nai seeks to revive the lost art of handcrafting musical instruments and grew out of an initiative Zureikat started in 2007 called Zikra for Popular Learning, which aims to bridge the gap between urban and rural communities, and facilitate the exchange of knowledge and skills such as building basic homes using traditional practices, food preservation, and crafting tools, toys, utensils and even musical instruments using available resources and recycled materials.<\/p>\n<p>Zikra (memory in Arabic) initiative ran with the slogan \u201cwe exchange to change\u201d and it is based on promoting equity between rural and urban communities through cultural exchange, and aims to challenge the traditional perception of charity, where one party becomes the hero for saving victims of poverty, which is often demeaning to the poor communities, as Zureikat witnessed in his own charity work. He believes that these communities though poor have something to offer and share from their own lives, and that\u2019s where the philosophy behind the initiative started.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14px;\">To learn more about Bait Al Nai\u2019s work, visit @Bait_Al_Nay and@Zikra_for_popular_learning on Instagram.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jordanian Rabee\u2019 Zureikat is on a mission to restore severed links to the Arab past by reviving a musical heritage, one nay at a time.<\/p>\n","protected":false},"author":372,"featured_media":27320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2413,8,28,51],"tags":[178,254,622,959,2871,1831],"article-category":[],"article-type":[],"coauthors":[2579],"class_list":["post-27291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arabic","category-column","category-music","category-tmr-weekly","tag-amman","tag-arabic-music","tag-fairouz","tag-jordan","tag-nay","tag-world-music"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.5 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Reviving the Nay Tradition in Jordan - The Markaz Review<\/title>\n<meta name=\"description\" content=\"Jordanian Rabee\u2019 Zureikat is on a mission to restore severed links to the Arab past by reviving a musical 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