{"id":11238,"date":"2022-11-07T15:51:30","date_gmt":"2022-11-07T13:51:30","guid":{"rendered":"https:\/\/themarkaz.org\/oldmarkaz\/?p=11238"},"modified":"2022-12-25T11:21:40","modified_gmt":"2022-12-25T09:21:40","slug":"abu-dhabi-shows-noura-ali-ramahis-allow-me-not-to-explain","status":"publish","type":"post","link":"https:\/\/themarkaz.org\/oldmarkaz\/abu-dhabi-shows-noura-ali-ramahis-allow-me-not-to-explain\/","title":{"rendered":"Abu Dhabi Shows Noura Ali-Ramahi\u2019s \u201cAllow Me Not to Explain\u201d"},"content":{"rendered":"<figure id=\"attachment_11239\" aria-describedby=\"caption-attachment-11239\" style=\"width: 1080px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11239\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist.jpg\" alt=\"\" width=\"1080\" height=\"608\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist.jpg 1080w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist-600x338.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist-300x169.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist-1024x576.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Cheese-Box-detail-2021-2022-mixed-media-on-recycled-parchment-paper-70-x-50-cm-courtesy-of-the-artist-768x432.jpg 768w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><figcaption id=\"caption-attachment-11239\" class=\"wp-caption-text\">Noura Ali-Ramahi &#8211; Cheese Box &#8211; detail 2021-2022 &#8211; mixed media on recycled parchment paper 70 x 50 cm courtesy of the artist<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><em>Noura Ali-Ramahi\u2019s \u201cAllow Me Not to Explain\u201d opens Nov. 10 and runs through Nov. 23, 2022 at the <a href=\"https:\/\/www.nyuad-artgallery.org\/en_US\/arts-center-project-space\/noura-ali-ramahi\/\" target=\"_blank\" rel=\"noopener\">NYU Abu Dhabi Project Space<\/a><\/em> in the Arts Center, <span class=\"caps\">NYUAD<\/span> Campus, Saadiyat Island, Abu Dhabi, U.A.E.<\/p>\n<h4>\u00a0<\/h4>\n<h4>Rana Asfour<\/h4>\n<p>&nbsp;<\/p>\n<p>The new exhibition \u201c<a href=\"https:\/\/www.nyuad-artgallery.org\/en_US\/arts-center-project-space\/noura-ali-ramahi\/\">Allow Me Not to Explain<\/a>,\u201d from Lebanese-born Emirati artist Noura Ali-Ramahi, spotlights\u00a0\u201ceverything, anything and nothing\u201d according to the artist. The work is on view at NYU Abu Dhabi\u2019s Project Space from Nov. 10-23, and features a kaleidoscope of vibrant artwork based on the artist\u2019s practice of repetitive meditation. The show also seeks to shed light on the need to address the world\u2019s escalating environmental crisis \u2014 convenient given that the COP28 climate conference is slotted to take place here in Abu Dhabi next year.<\/p>\n<p>\u201cMy new work is a perfect example of how materials I find inspire my creativity,\u201d Ali-Ramahi explains. \u201cEvery piece of art on exhibit is made out of everyday material. It was my way to throw away as little as possible. I hate waste and shudder at the thought of the world\u2019s landfills. I\u2019m a certified diver and it appalls me to see how much of our oceans are filling up with rubbish and plastic. This is my way of turning paper waste that comes into my home into something beautiful\u2026If one thing comes out of this exhibition, it is for audiences to be inspired to re-use paper in more creative ways.\u201d<\/p>\n<figure id=\"attachment_11240\" aria-describedby=\"caption-attachment-11240\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11240\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022.jpg 1400w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022-600x450.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022-300x225.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022-1024x768.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022-768x576.jpg 768w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-shapes-from-Allow-Me-Not-to-Explain-2022-1320x990.jpg 1320w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-11240\" class=\"wp-caption-text\">Noura Ali-Ramahi, shapes in &#8220;Allow Me Not to Explain,&#8221; 2022 (courtesy of the artist).<\/figcaption><\/figure>\n<p>\u00a0<br \/>\n\u201cAllow Me Not to Explain\u201d is a continuation of a series of works the artist labelled as \u201cNostalgia,\u201d \u201cPandemic\u201d and finally, \u201cLosing my Mind,\u201d which took place at the Etihad Modern Art Gallery at the end of 2021 and into 2022.<\/p>\n<p>\u00a0\u201c\u2018Nostalgia\u2019 was a very particular body of work that I did which was a collage made with plastic and paper, that reflected garden scenes, water and flowers. \u2018Pandemic\u2019 is the body of work I did during the pandemic lockdowns in which I used a lot of Emirati Talli thread that included a lot of repetition in the work. \u2018Losing my Mind\u2019 was the last thing I worked on before moving on to this exhibition, which was work that I found very hard to explain. I named it \u2018Losing my Mind\u2019 in a nod to Van Gogh, who once said that he painted in order to stop thinking. This resonated with me because losing my mind wasn\u2019t about going crazy during the pandemic, it was about stopping myself from judging my work and giving myself permission to wander with my thoughts, to free myself from my inhibitions and the struggle to explain what it was that I was producing.\u201d<\/p>\n<p>The artworks are abstract pieces, many of which are comprised of a multitude of colorful repetitive, uniform and interlaced circles, drawn using a combination of different mediums \u2014 paint, ink pens, and at one point, Tipp-Ex. The designs appear on parchment\/wax paper that came with a cheese order, a piece of cardboard that wrapped a delivery package, or even a paper bag from a retail brand.<\/p>\n<div id='gallery-1' class='gallery galleryid-11238 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-11247\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review-600x425.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review-300x212.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Losing-my-Mind-Noura-Ali-Ramahi-the-markaz-review-768x544.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11247'>\n\t\t\t\tLosing My Mind, courtesy Noura Ali-Ramahi\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-11246\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review-600x400.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review-300x200.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Rhapsody-artwork-the-markaz-review-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11246'>\n\t\t\t\tAn image from &#8220;Rhapsody&#8221; Noura Ali-Ramahi\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"975\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-11245\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review-600x571.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review-300x286.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-pandemic-artwork-the-markaz-review-768x731.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11245'>\n\t\t\t\tArt from the &#8220;Pandemic&#8221; sereies, Noura Ali-Ramahi\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-11244\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review-600x400.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review-300x200.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Nostalgia-artwork-the-markaz-review-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11244'>\n\t\t\t\t&#8220;Nostalia,&#8221; Noura Ali-Ramahi\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-11243\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review.jpg 1024w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review-600x400.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review-300x200.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-Displaced-artwork-the-markaz-review-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-11243'>\n\t\t\t\tAn image from &#8220;Displaced,&#8221; Noura Ali-Ramahi\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>As the artist shows one work after another, there is palpable joy not only in the works themselves but also in the entire mood of the viewing experience, in which there is a sense of lightness and exuberance. The meditative, repetitive process renders the pieces deceivingly playful, almost betraying the serious message that lies behind their conception. I can understand how some viewers, not used to assigning their own meaning to what they see before them, might struggle with the pieces. At one point, I found myself prodding Noura Ali-Ramahi to reveal whether the circles were meant to be a constellation of stars in one, a setting sun sinking into a tilted horizon in the next, and even a dolphin in yet another. What was the four-meter scroll that took months to make trying to tell us? In short, what was the narrative? Where was the wall text for each one?<\/p>\n<p>\u201cI would be deceiving you if I told you there was one. That\u2019s the point of this particular work and that\u2019s why there is no wall text. For the past two years, my work has refused to fit into one concise narrative. What links these pieces together is that they portray the nature that I encounter on my walks, an act of repetitive movement in and of itself, be it the sunrise, the sunset, the shape of the sun, the earth, or the sea.&#8221;<\/p>\n<p>\u201cI am not on a mission to discredit narrative art, because I\u2019ve told stories through previous work such as when I painted my series on refugees. The story there was clear to tell and to explain. Again, in \u2018Rhapsody,\u2019 my second exhibition, there was a sort of story on why I was compelled to draw my abstract humans and fish. However, if I can\u2019t find an explanation for my work, I refuse to impose one out of nothing. I prefer the art to remain pure, free of any labelling. What I truly want is for viewers to experience the works of this exhibition in a way that will spark their imagination and curiosity, and prod them to reach their own interpretation of what the work means to them. The materials I use send out a message about the environment, but it is up to the viewer to make their own conclusion about what they see in the work itself, which I hope will be a fun and joyful exercise.\u201d<\/p>\n<figure id=\"attachment_11242\" aria-describedby=\"caption-attachment-11242\" style=\"width: 897px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11242\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-poem-I-Find-Myself-in-the-Green.jpg\" alt=\"\" width=\"897\" height=\"1024\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-poem-I-Find-Myself-in-the-Green.jpg 897w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-poem-I-Find-Myself-in-the-Green-600x685.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-poem-I-Find-Myself-in-the-Green-263x300.jpg 263w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-poem-I-Find-Myself-in-the-Green-768x877.jpg 768w\" sizes=\"auto, (max-width: 897px) 100vw, 897px\" \/><figcaption id=\"caption-attachment-11242\" class=\"wp-caption-text\">&#8220;I Find Myself in the Green,&#8221; Noura Ali-Ramahi.<\/figcaption><\/figure>\n<p>\nHaving dabbled in pencil and charcoal drawing as well as silk painting during her high school years in Dubai, in the early1990s, and then with clay painting at university in Beirut, it wasn\u2019t until 2016 that Ali-Ramahi decided to exhibit her work for the first time. A business graduate, she has had no formal art training, and initially approached the subject as a hobby, making her own kids\u2019 give-away gifts at their birthday parties.<\/p>\n<p>\u201cMay 2015 is when things changed for me. I attended a collective exhibition for some artist friends at Abu Dhabi\u2019s TwoFour54, where I was inspired to book the place for my own work. I set the date for January of the following year. Looking back on that show now, I see that it proved to be a kind of affirmation, to myself, that art was something I wanted to pursue seriously.\u201d<\/p>\n<p>Faced with the eight-month deadline, she called on her family for help. Her father and sister are both poets, while her mother and uncle paint. As a person who writes poetry, Ali-Ramahi has realized how much music, particularly jazz, has, on many occasions, performed in juxtaposition with her artwork and is \u201cas important as breathing.\u201d In \u201cRhapsody,\u201d her second exhibition in 2018, she would name each piece after a song \u2014 one titled \u201cLove is a Losing Game by Amy Winehouse\u201d\u00a0sold instantly. And now, \u201cAllow Me Not to Explain\u201d will include a handwritten scrapbook of her own, never-before shared poems, inspired by her interaction with nature on those early morning walks, that visitors can read through. There are, so far, no plans to print out any other copies.<\/p>\n<p>\u201cI decided that my first exhibition was going to include my mother, my uncle, and my sister. I had been working on my \u2018Displaced\u2019 series about refugees. My sister Sarah\u2019s self-published book of poems, <em>The Flower Girl<\/em> (Atelier Poetica, 2009), provided an essential source of inspiration to the work. Finally, \u2018A Picture in a Thousand Words\u2019 was birthed in 2016, thanks to the collaborative interpretation of Sarah\u2019s words that I expressed through my paintings.\u201d<\/p>\n<figure id=\"attachment_11241\" aria-describedby=\"caption-attachment-11241\" style=\"width: 750px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11241\" src=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-courtesy-Noura-Ali-Ramahi-the-markaz-review.jpg\" alt=\"\" width=\"750\" height=\"686\" srcset=\"https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-courtesy-Noura-Ali-Ramahi-the-markaz-review.jpg 960w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-courtesy-Noura-Ali-Ramahi-the-markaz-review-600x549.jpg 600w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-courtesy-Noura-Ali-Ramahi-the-markaz-review-300x274.jpg 300w, https:\/\/themarkaz.org\/oldmarkaz\/wp-content\/uploads\/2022\/11\/Noura-Ali-Ramahi-courtesy-Noura-Ali-Ramahi-the-markaz-review-768x702.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-11241\" class=\"wp-caption-text\">Noura Ali-Ramahi courtesy Noura Ali-Ramahi &#8211; the markaz review<\/figcaption><\/figure>\n<p>Ali-Ramahi is both an artist and a collector. Her gallery-like house is dotted with works of artists the likes of Jason Seif, Sahmarani, Afra Al Dhaheri, Hashel Al Lamki, and Will Martyr. She is of a generation of Lebanese Arabs who moved with her family to the UAE in 1989, in pursuit of temporary shelter from Lebanon\u2019s Civil War. Decades later, it has become the place her family calls home. Following in the footsteps of her father, Ali-Ramahi has written poetry from very early on, and used it to channel her thoughts on war, displacement, travel and most recently what she sees, feels and hears on her daily walks, at sunrise, which she documents on her Instagram feed under the title \u201cA Billion Steps Towards the Sun\u201d<em> \u2014 <\/em>the title of a book she is thinking of writing, and where, incidentally, she also manages to sell her art pieces to followers in places like Portugal and the UK.<\/p>\n<p>\u201cSince I started taking long daily walks, I\u2019ve found that I\u2019ve been writing more. My poetry is always spur of the moment. I don\u2019t sit down to plan a poem, instead a word may come to me, or the first line of a poem pops in my head and I\u2019m off. My art and my poetry start with the same urge that needs to be translated either into words of poetry, or into an artwork. That\u2019s not to say that one informs the other, but only that they are two forms of expression that I channel my thoughts and feelings through with no specific end result.<\/p>\n<p>\u201cI just finished reading <em>Quiet <\/em>by Susan Cain, in which she talks about flow, and it struck me how what she describes is exactly what I do with regard to my approach to my work. I find that when I walk, I flow, when I write I flow. Even the repetitive circles in my new exhibition are all about flow where the result, my work sounding or looking polished, is not the main focus, but the actual process itself whereby I myself am surprised with the result is what thrills and excites me.\u201d<\/p>\n<p>The mother of four feels she\u2019s come quite far since that first exhibition, admitting that it has been a long and winding road to self-realization and acquiring confidence in the work she produces, without much consideration for how audiences may judge her work. Instead, Ali-Ramahi has adopted an \u201cI do this is and it is what I\u2019m showing you\u201d attitude. That said, however, she is an Arab woman living in the UAE and is married to an Emirati; she admits that despite the confidence she has built up through the success of her art pieces, things remain far from ideal.<\/p>\n<p>\u201cThere is definitely self-censorship. There are things that I think about doing but I worry may not be culturally accepted. They would be too controversial. Sometimes there are things I want to incorporate into my paintings, either a word or an image, which I find I\u2019m not at a level of courage to go ahead and apply. I realize though that some artists in the UAE have begun to take that step and are successful at what they do, but I feel I\u2019m not quite ready to take that leap, mainly because my ideas are not yet fully developed, irrespective of cultural sensitivity.\u201d<\/p>\n<p>There is an ease of manner and a refreshing rebelliousness to Ali-Ramahi, who is no longer apologetic about experimenting with a multitude of media and styles. She is someone with one target in mind and that is to give full reign to her creativity, trusting in its ability to take her to where she\u2019s meant to be&#8230;from working on largescale collages made of palette paper and plastic bags, to throwing paint at furniture, canvas and, frankly, anything else she feels like.<\/p>\n<p>\u201cRight now, art in the Gulf, and the UAE in particular, is booming. There is a hunger to show the art of the region and artists today are enjoying an unprecedented abundance of platforms to exhibit their work within the Arab world, whereas before we only viewed art as that coming in from the West. The art world is huge and it requires a lot of patience, hard work and networking. Artists in this region tend to support each other\u2019s work by showing up at exhibitions, and by supporting collaborations with each other. That said, it\u2019s not easy to break in to, and a lot of persistence is required, but it isn\u2019t impossible either.<\/p>\n<p>\u201cWhen it comes to what my work, I don\u2019t want to confine myself to one style. I am not alone in this. I can think of Emirati Afra Al Dhaheri and Hashel Al Lamki as two examples of artists who continually try out different mediums and styles and do so successfully. Who decides what\u2019s wrong and what\u2019s right? I refuse to stop myself from trying out new things. My work is all about experimentation and unexpectedness, and I\u2019m happy to do both for the rest of my life.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rana Asfour talks to an Emirati about her ideas and development as an artist.<\/p>\n","protected":false},"author":13,"featured_media":11239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[3,14,22,51],"tags":[109,274,425,591,600,1027],"article-category":[],"article-type":[],"coauthors":[2107],"class_list":["post-11238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-featured-artist","category-interview","category-tmr-weekly","tag-abu-dhabi","tag-art","tag-climate-change","tag-emirati","tag-environmental-crisis","tag-lebanese-artist"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.5 (Yoast SEO v27.3) - 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